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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sydney Sweeney Astounds in ‘Reality’ [Review]

May 31, 2023 Jordan Ruimy

There was always hope that “Euphoria” star Sydney Sweeney would eventually break through into film. That finally happened with her Berlin Film Festival entry “Reality.”

Sweeney has been waiting for a chewy movie role like this one for a few years now, but she can definitely forget about getting any sort of Oscar tractiom. HBO Films acquired U.S. rights to “Reality” in late February. Sweeney will have to settle for an Emmy.

Directed by Tina Satter, from a screenplay by Satter and James Paul Davis, adapted from Satter's own stage play, “Reality” stars Sweeney as former American intelligence specialist Reality Winner (yes, that’s her actual name).

Winner was given the longest sentence by government for the unauthorized release of information to the media after she leaked data about election interference in 2017 to The Intercept.

This 83-minute film takes place in real time, on a Saturday afternoon, in June 2017, Reality, a 25-year-old fluent in multiple languages, is confronted at her Georgia home by the FBI.

The cryptic conversation that ensues between her and the Feds is tense and filled with subtle nuances. Reality knows her life is beginning to unravel. The result is stark and compelling.

This is a film purely driven by talk, but Sweeney is absolutely great in delving deep into the vulnerability of her character. Satter’s style is damn-near forensic, keeping our eyes glued to the screen with a screenplay that was basically taken from the actual FBI transcript from that fateful day.

The security state is the malignant force here. Reality is at the mercy of the surveillance apparatus. The film has the tension of a thriller.

However, it’s Sweeney who pulverizes us. She can really act. She lets you feel the anxiety that invaded Reality’s system that day. There is extraordinary range in her performance, her character says very little, but every word is uttered with considerable artfulness.

Reality’s attempts to stay cool fail, she eventually cracks under pressure, her lies get unearthed by these highly trained FBI agents. Sweeney’s face says everything we need to know about her character: the sleepy eyes, the twitchy wording, her mental state is collapsing.

Sweeney is a big name, purely with her connection to “Euphoria” alone, and, with the exception of her small role in “Once Upon A Time in Hollywood,” hasn’t had much luck with her film choices. Call this a breakthrough, but you’ll have to settle in watching it at home on HBO Max (where it is currently available to stream).

← At 83, Al Pacino is Expecting a Baby With 29-year-old Girlfriend‘Spider-Man: Across the Spider-Verse’ Nabs 87 on Metacritic →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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