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‘Spider-Man: Brand New Day’ is Officially Highest-Grossing Movie of All-Time at Domestic Box Office

Now the question is whether Spidey can become the first movie to cross $1 billion domestically. With its legs having slowed down, and $63M in receipts still needed, I highly doubt it.

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Paul Schrader's ‘Non Compos Mentis’ Recasts: Sam Worthington, Liam Hemsworth and Cara Delevingne To Star in “Erotic Thriller”

After filming wraps on "Non Compos Mentis," which shoots next month, Schrader plans to start production on his "drug movie," "The Doors of Perception," in January.

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MPA: ‘Clayface’ and ‘The Social Reckoning’ Ready With “R” Ratings

Aaron Sorkin's "The Social Reckoning" has officially been stamped with an "R" rating for language, which is another idiotic move from the MPA. Why must "language" get an "R"?

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‘Digger’ Box Office Tracking Points to a Soft $20M Debut for Tom Cruise and Iñárritu

I actually find that number optimistic. Tickets for “Digger” go on sale next Tuesday, and presales will give us a better picture of how bad it’s looking.

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Danny Boyle's ‘Ink' TIFF Q&A Cut Short After Audience Member Grills Him on AI Use

Boyle's answer was met with a shout of "Never do that shit again" from the crowd, and the TIFF moderator swiftly brought the Q&A to a close, thanking everyone for coming.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscars: 2023 is 1/3 of the Way Done, Any Oscar Contenders?

April 28, 2023 Jordan Ruimy

We’re a third of the way through the movie year and I don’t see any Oscar contenders popping up just yet.

There are some who believe that Ben Affleck’s “Air” might contend in awards season. I’m not entirely convinced about that. It would have had to be a very mediocre year, with countless disappointments, for Affleck’s Nike movie to succeed.

Hey, maybe it will. I’m not discounting it. If “Air” were released last year then it might have snuck in as a #10 Best Picture nominee. However, this year looks packed to the rafters, especially in the fall.

I can’t continue without mentioning A24’s acclaimed “Private Lives,” which I still haven’t seen, but could be another small and critically-acclaimed indie. Like “Minari,” it does have the critics on its side … but it could be another failed contender like Lulu Wang’s “The Farewell.” You just never know with these Sundance hits.

Looking ahead, I gather we might have a summer movie that cracks the Best Picture race, possibly Christopher Nolan’s “Oppenheimer.” Other possibilities, albeit minor ones, include Wes Anderson’s “Asteroid City” and Greta Gerwig’s “Barbie.”

Then there’s the “Top Gun: Maverick” slot, a big blockbuster that wins over critics and audiences. I’m looking at you “Indiana Jones and the Dial of Destiny” or how about Cruise again with “Mission Impossible: Dead Reckoning”?

The fall is much further away and there’s bound to be under-the-radar titles that break out. We’re going to get an early look at Martin Scorsese’s “Killers of the Flower Moon” in a few weeks at Cannes. Ditto Todd Haynes’ “May/December.”

Some Hollywood heavyweights rumored for Venice include Michael Mann’s “Ferrari,” Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” Yorgos Lanthimos’ “Poor Things,” Alexander Payne’s “The Holdovers,” Ethan Coen’s “Drive-Away Dolls” Sean Durkin’s “The Iron Claw” and Emerald Fennell’s “Saltburn.”

David Fincher’s “The Killer” and Ridley Scott’s “Napoleon” might skip fests. There’s also an air of uncertainty when it comes to Steve McQueen’s WWII epic, “Blitz.” Will it even get released in 2024?

Consider this my first Oscar report for 2023. I don’t see myself doing another one for a few months and it seems rather foolish to even attempt to predict the ten nominees at this early stage. That hasn’t stopped others from doing so, but I’ll refrain.

← Warner Bros Says Ezra Miller Might Sit Out Promoting ‘The Flash’ Because “It’s Not A PR-Driven Film”Three New Photos of Martin Scorsese’s ‘Killers of the Flower Moon’ Have Been Released [Updated] →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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