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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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‘Behemoth’ Trailer: Tony Gilroy’s First Film in 14 Years Stars Pedro Pascal as Cellist

Gilroy launched his directing career with one of the strongest debuts of the 21st century, "Michael Clayton" (2007), before following it with two lesser efforts, "Duplicity" (2009) and "The Bourne Legacy" (2012).

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Robert Zemeckis and Jennifer Lopez Clashing Over Final Cut of Netflix’s $100M-Costing ‘The Last Mrs. Parrish’

What the hell is going on over at Netflix? We have already seen reports of behind-the-scenes drama around Greta Gerwig, David Fincher and Ben Affleck’s latest films — now it’s Robert Zemeckis?

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Linus Sandgren to DP Shawn Levy's ‘Ghost Rider' on Film — Connor Storrie in Talks to Co-Star

Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.

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Jafar Panahi Sentenced to Five Years in Prison as Iran Orders His Assets Seized

It keeps getting worse for Jafar Panahi. The Palme d'Or-winning director of "It Was Just an Accident" has been sentenced by Branch 26 of the Tehran Revolutionary Court to five years in prison.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ryûsuke Hamaguchi’s ‘Our Apprenticeship’ Scrapped, He’s Instead Working on Another Film

April 12, 2023 Jordan Ruimy

Ryûsuke Hamaguchi is currently promoting the U.S. release of his 2009 film, “Passion.” I haven’t seen it yet, but would love to.

Shot as his thesis film at the Tokyo University of the Arts, “Passion” was Hamaguchi’s second film. It’s only now opening for its North American theatrical run on Friday, April 14 at Film at Lincoln Center.

Speaking to The Film Stage, Hamaguchi also elaborated on his much-rumoured “Our Apprenticeship,” which was supposed to be his next film after “Drive My Car,” but it seems as though it’s been scrapped:

I’m baffled by people asking me if it’s going to be my next film. I submitted a proposal to the 2019 Hong Kong Film Market and received a production award. One of the conditions was that the plot contained a play or production using foreign languages. I used that element in Drive My Car, which is why I don’t feel very motivated to create another film that has a very similar element.

Hamaguchi went on to add that it’s quite difficult making films in Japan and that he is now working on a new film, but isn’t ready to share any details just yet.

The only thing I can say about my next film is that I want to continue experimenting with smaller projects, finding discoveries that way.

If you remember, I had written about “Our Apprenticeship,” which was set in France and would have been his first non-Japanese/Korean production. Featuring many queer characters as they each learn each other’s languages, it was going to feature a young cast composed of a gay French couple, a Syrian, a Belgian, a South Korean and Japanese woman at its center.

Hamaguchi began collecting funding on the film in 2019. After an incredible 2021, pandemic plans however halted a Paris-set shoot.

The Japanese director has really come into his own since “Drive My Car” triumphed at Cannes and even received a Best Picture nominations at the Oscars.

His first few films, the critically-acclaimed 5-hour “Happy Hour” (didn’t see it) and the underrated “Asako 1 & 2” set the stage for the banner year that he had. Also his “other” 2021 film, the entertaining triptych “Wheel of Fortune and Fantasy,” is well worth a look — I find it to be even better than “Drive My Car.”

← Taika Waititi’s ‘Next Goal Wins’ Pushes its Release Date, AgainAdrian Lyne on Recent Anti-Sex Uptick in Film: “Awful” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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