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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Cannes: Jonathan Glazer’s ‘Zone of Interest’ Confirmed, Plus Additional Intel

April 10, 2023 Jordan Ruimy

The Cannes lineup is starting to take shape and we couldn’t be more excited for what’s in store.

The game of back-and-forth when it comes to Jonathan Glazer’s “The Zone of Interest” seems to have (almost) come to an end. The film has officially been invited by Cannes and I’m told that A24’s goal is indeed eyeing a premiere on the Croisette. Of course, nothing is set in stone until it’s officially announced. It’ll probably be the only A24 film in competition.

After a rushed post-production process, Cristi Puiu’s “MMXX” is finally ready, but look for it somewhere in the sidebars — potentially in Directors Fortnight (Quinzaine).

Bruno Dumont’s “L’Empire” is also ready, but last we heard it might turn up in the Cannes Premieres section.

Is Maiwenn’s “Jeanne Du Barry” in or out of competition? There are just too many choices for Fremaux this year that I think it’ll not be in competition. And all signs are now pointing towards an OOC slot for Maiwenn’s film.

Fremaux has also won the Marco Bellocchio sweepstakes over Venice. Bellocchio’s “La Conversione” will be in competition at Cannes. Same with Nanni Moretti’s “Il sol dell'avvenire.” That makes it three Italians in competition, the third being Alice Rohrwacher. Matteo Garrone’s “The Captain” is “not ready” — you can read between the lines.

In Gaumont's EFM 2023 catalogue, Abdherrane Sissako’s “The Perfumed Hill” is being listed for 2024. Is it still not ready? Everyone seemed to be in agreement that it would premiere next month, but now I’m having doubts.

The best bets right now for competition are Jonathan Glazer, Wes Anderson, Yorgos Lanthimos, Alice Rohrwacher, Nuri Bilge Ceylan, Ken Loach, Hirokazu Kore-eda,
Jessica Hausner, Victor Erice, Alexander Payne, Aki Kaurismaki, Marco Bellocchio, Ben Hania/ Lkhagvadulam Purev-Ochir, Nanni Moretti, Lisandro Alonso, Robin Campillo, Catherine Breillat, Bertrand Bonnello and Justine Triet.

That’s 19 films.

Right now, I’m on the fence about some who are still very much in the conversation: Jeff Nichols, Todd Haynes, Amat Escalante, Michel Franco, Abdherrane Sissako, Joachim Lafosse, Warwick Thornton, Kitty Green, Valerie Donzelli, Léa Domenach, Vanessa Filho and Catherine Corsini.

Probably a few of these will be selected, just not sure which ones.

We’ll see if anything changes with Matteo Garrone, Cristi Puiu, Maiwenn and Bruno Dumont, but I doubt it. Maybe those can be out of competition.

Radu Jude’s “Do Not Expect too Much” and Kiril Serebrenikkov’s “Limonov” seem to also be under the “not ready” category.

There is also that oft-rumored animated film that could pop up in competition. I haven’t been able to confirm or deny the veracity of this rumor, but let’s just say it’s true, what could it be? Maybe Fernando Trueba and Javier Mariscal’s much-buzzed “They Shot the Piano Player,” which stars Jeff Goldblum.

I’ll have my final predictions up in a few days. The lineup is being announced on Thursday morning and, no, I still haven’t a clue about whether Scorsese is in competition. I sure hope he is.

← Jim Sheridan to Write and Direct ‘I Am A Man: The True Story Of Chief Standing Bear’Tarantino Hints That ‘The Movie Critic’ is Based on William Margold and “Won’t Be A Revenge Story” →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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