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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Cannes: Jonathan Glazer’s ‘Zone of Interest’ Confirmed, Plus Additional Intel

April 10, 2023 Jordan Ruimy

The Cannes lineup is starting to take shape and we couldn’t be more excited for what’s in store.

The game of back-and-forth when it comes to Jonathan Glazer’s “The Zone of Interest” seems to have (almost) come to an end. The film has officially been invited by Cannes and I’m told that A24’s goal is indeed eyeing a premiere on the Croisette. Of course, nothing is set in stone until it’s officially announced. It’ll probably be the only A24 film in competition.

After a rushed post-production process, Cristi Puiu’s “MMXX” is finally ready, but look for it somewhere in the sidebars — potentially in Directors Fortnight (Quinzaine).

Bruno Dumont’s “L’Empire” is also ready, but last we heard it might turn up in the Cannes Premieres section.

Is Maiwenn’s “Jeanne Du Barry” in or out of competition? There are just too many choices for Fremaux this year that I think it’ll not be in competition. And all signs are now pointing towards an OOC slot for Maiwenn’s film.

Fremaux has also won the Marco Bellocchio sweepstakes over Venice. Bellocchio’s “La Conversione” will be in competition at Cannes. Same with Nanni Moretti’s “Il sol dell'avvenire.” That makes it three Italians in competition, the third being Alice Rohrwacher. Matteo Garrone’s “The Captain” is “not ready” — you can read between the lines.

In Gaumont's EFM 2023 catalogue, Abdherrane Sissako’s “The Perfumed Hill” is being listed for 2024. Is it still not ready? Everyone seemed to be in agreement that it would premiere next month, but now I’m having doubts.

The best bets right now for competition are Jonathan Glazer, Wes Anderson, Yorgos Lanthimos, Alice Rohrwacher, Nuri Bilge Ceylan, Ken Loach, Hirokazu Kore-eda,
Jessica Hausner, Victor Erice, Alexander Payne, Aki Kaurismaki, Marco Bellocchio, Ben Hania/ Lkhagvadulam Purev-Ochir, Nanni Moretti, Lisandro Alonso, Robin Campillo, Catherine Breillat, Bertrand Bonnello and Justine Triet.

That’s 19 films.

Right now, I’m on the fence about some who are still very much in the conversation: Jeff Nichols, Todd Haynes, Amat Escalante, Michel Franco, Abdherrane Sissako, Joachim Lafosse, Warwick Thornton, Kitty Green, Valerie Donzelli, Léa Domenach, Vanessa Filho and Catherine Corsini.

Probably a few of these will be selected, just not sure which ones.

We’ll see if anything changes with Matteo Garrone, Cristi Puiu, Maiwenn and Bruno Dumont, but I doubt it. Maybe those can be out of competition.

Radu Jude’s “Do Not Expect too Much” and Kiril Serebrenikkov’s “Limonov” seem to also be under the “not ready” category.

There is also that oft-rumored animated film that could pop up in competition. I haven’t been able to confirm or deny the veracity of this rumor, but let’s just say it’s true, what could it be? Maybe Fernando Trueba and Javier Mariscal’s much-buzzed “They Shot the Piano Player,” which stars Jeff Goldblum.

I’ll have my final predictions up in a few days. The lineup is being announced on Thursday morning and, no, I still haven’t a clue about whether Scorsese is in competition. I sure hope he is.

← Jim Sheridan to Write and Direct ‘I Am A Man: The True Story Of Chief Standing Bear’Tarantino Hints That ‘The Movie Critic’ is Based on William Margold and “Won’t Be A Revenge Story” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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