• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_9312.jpeg
Zach Cregger Distances Himself From ‘Gladys’ Prequel, Not Writing or Directing, Only Producing

Originally, Cregger was reported to be directing “Gladys.” He then dropped out. He was also supposed to co-write the script with Zach Shields, and apparently now he isn’t.

Read more →
IMG_9315.jpeg
Telluride’s “Secret” A24 Movie Is Nathan Fielder’s Elizabeth Holmes Doc

The mystery surrounding Telluride’s secret A24 screening now appears to have been solved. Did anybody guess Nathan Fielder and Elizabeth Holmes?

Read more →
IMG_9305.jpeg
Lee Chang-dong’s ‘Possible Love’ Starts Quietly, Builds Into Something Colossal and Transcendent [Venice]

The film runs 164 minutes. What a stunner this turns out to be. “Possible Love” keeps getting stranger and deeper the longer it goes. And by the end, the film has moved somewhere almost transcendent.

Read more →
IMG_9304.jpeg
Telluride to Screen “Surprise” A24 Movie Tonight! 174-Minute Runtime, Tight Security — No Phones Allowed

Some major guessing games are currently going on regarding Telluride’s surprise movie, playing later today at 6 PM MT, which has sparked some fun theories among industry insiders and journalists.

Read more →
IMG_9302.webp
Kane Parsons to Direct ‘Backrooms 2’ for A24 — Set to be His Next Film

An official announcement is “imminent.” “Backrooms 2” will be Parsons’ next film — he’s not jumping into anything else. Might as well strike while the iron is still hot, I guess.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

‘Napoleon’ Writer Prefers the Theatrical Version to 4+ Hour Director’s Cut

December 2, 2023 Jordan Ruimy

In late August we broke the news that Ridley Scott was working on a director’s cut of “Napoleon” that would clock in at over 4 hours. It obviously piqued our interest.

Scott later told Total Film that it would be made available after the film’s November release. He called his lengthier cut “Fantastic” …

Well, we’re waiting, Ridley. In all seriousness, I was told that this 4-hour cut would be made available in February or March, which is also when “Napoleon” is supposed to stream on Apple TV — viewers will be able to choose between the theatrical or director’s cut.

One person who much prefers the theatrically released version of “Napoleon” is its writer, David Scarpa. In an IndieWire interview, Scarpa admits that the 158 minute version we watched in theaters is the “better,” “tighter” and “concise” version:

I have seen what’s in the longer version. It works better, like most movies, in a tighter form. It gained a lot through the editing […] I don’t think there’s any way that in the format of a feature film that you can possibly tell the entirety of this story. You could easily do five seasons of a series on Napoleon, and still not get to the end of it, in terms of the material. So inevitably, you have to make choices. And this is a pretty concise version.

Produced and financed by Apple, Scott’s epic reunited the filmmaker with Joaquin Phoenix as the European conquering emperor. It received mixed reviews from critics, but I actually liked the subversive way in which Scott told his story. I imagine the 4-hour cut would be very different in terms of narrative tone.

Scott is no stranger to “Director’s Cuts.” We all know about the multiple “Blade Runner” versions that exist. That film became a sci-fi classic only years after its release, when audiences discovered Scott’s originally intended version.

Further, Scott’s Crusades epic, “Kingdom of Heaven,” originally released in the summer of 2005 to negative reviews, had a new version released on DVD, which had more than an hour's worth of deleted footage. The result? A 210-minute cut with character development, less plot holes and a much-improved story.

← ‘Ferrari’ Review …Francis Ford Coppola Calls Terrence Malick’s Body of Work “Monumental” →

FOLLOW US!

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_8823.webp
Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

Read more →
IMG_8734.jpeg
‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

Read more →
IMG_8707.jpeg
What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

Read more →
IMG_8721.jpeg
Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026