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Sandra Hüller to Play Male Writer in Maria Schrader’s ‘Work and Structure’

Hüller, known for her roles in “Anatomy of a Fall,” and “The Zone of Interest,” will take on the role of Wolfgang Herrndorf, who began recording his experiences after receiving a terminal brain tumor diagnosis.

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‘The Runner,’ Starring Gal Gadot, Is One of 2026’s Worsty-Reviewed Films With a 9% on Rotten Tomatoes

“The Runner,” which is basically another riff on “Run Lola Run,” a movie centered on characters moving through a city, is getting some of the worst reviews of the year.

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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The Russos Defend Shooting ‘Avengers: Doomsday’ Without a Finished Script: “We’re Improvisation-Based Directors”

Yes, ‘Doomsday’ was shot without a finalized script. It was being written as production rolled on. The screenplay was still under development on set, with daily rewrites and updates in progress.

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Paul Schrader’s ‘Three Guns at Dawn’ Is Now an AI Movie, Antoine Fuqua No Longer Involved

Schrader has been open to AI in filmmaking. He frequently posts AI-generated images of himself on Facebook and has admitted to using AI for script ideas. Did it come up with this new version of “Three Guns at Dawn”?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Revolutionizing Film Distribution: The Significance of Sending Large Files [Sponsored]

December 6, 2023 Jordan Ruimy

In the ever-evolving landscape of filmmaking, the significance of how to send large files extends far beyond the technicalities of the process. It represents a pivotal shift in the paradigms of film distribution, fundamentally altering the dynamics of accessibility, collaboration, and storytelling.

Breaking the Chains of Tradition

Film distribution was traditionally plagued by laborious procedures, particularly when dealing with big files. The speed was set by physical media like cassettes and hard drives, which caused delays and had major cost ramifications. The industry sought a digital progression since there was a clear demand for a more scalable, economical, and efficient solution.

Rethinking film distribution tactics has grown dependent on the ability to deliver huge files digitally. This shift is a significant declaration about increasing access to cinematic material and encouraging teamwork rather than just adopting technology tools. Cinematic material may be made widely and quickly available by sending huge files. Because of the increased speed of distribution, movies are now available to audiences everywhere more rapidly, breaking down any previous restrictions that could have

Preserving Cinematic Integrity

Large files in filmmaking often contain intricate details, high-resolution footage, and complex CGI elements. The ability to send such files securely ensures the preservation of cinematic integrity during the distribution process. The audience receives the intended experience without compromises.

Facilitating Innovation in Storytelling

The significance of sending large files transcends the technical aspect; it directly influences the creative process. Filmmakers are empowered to explore innovative storytelling techniques that may involve intricate visual effects, high-quality soundscapes, or other elements that demand the seamless transfer of large files.

Democratizing Opportunities for Filmmakers

The capacity to transmit big files at reasonable prices becomes a democratizing factor in a field where small filmmakers sometimes struggle with little funding. It creates a fair playing field so that up-and-coming artists may take part in the global film conversation without sacrificing the quality of their work.

Conclusion: Redefining the Cinematic Landscape

Not only is it a practical need, but sending big files also represents a revolution in the film industry. The aim of sharing tales, concepts, and feelings with the world is at the heart of the filmmaking ethos. It is not only embracing a new technology as the film business continues to accept this development in distribution; it is also opening up new avenues for accessibility, cooperation, and innovation that will influence the narrative landscape going forward. Forwarding bulky files is not only about the "how" anymore—it's also about the "why"—a pivotal change that takes the cinematic story into unprecedented realms.

← It’s Too Early For a Top 10 of 2023‘Killers of the Flower Moon’ Named Best Picture by National Board of Review →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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