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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Rumor: ‘Mickey 17’ Delayed to Summer 2024, Cannes Premiere

October 23, 2023 Jordan Ruimy

Here’s a delay that actually turns out to be great news. I’m hearing Warner Bros will most likely be delaying the release of Bong Joon-ho’s “Mickey 17.”

A teaser for “Mickey 17” was released earlier this year and, in the process, was the announcement that it would be released on March 29th, 2024. Warner is said to now be pushing it back to late May, with a big splashy premiere at the Cannes Film Festival, is what I’m hearing.

Bong’s last film (“Parasite”) won the Palme d’Or. Back in late February, Cannes boss Thierry Fremaux hosted a masterclass with Bong and told him not to edit the film too quickly so that it can be ready for Cannes 2024.

By all accounts, the film is almost done its editing phase, but the move to a Summer release is purely to take advantage of the numerous production delays incoming due to the actor’s strike. This past Friday, “Deadpool 3,” which was supposed to kickoff the 2024 summer movie season, was delayed indefinitely. More titles will be given the same fate in the coming weeks.

This means that Warner Bros should again have a very prominent presence at Cannes next May with Bong’s film and George Miller’s “Furiosa” both potentially having their world premieres at Cannes.

Earlier in the summer, those lucky enough to have attended a test screening of Bong Joon-ho’s “Mickey 17,” supposedly, got quite the experience.

Here’s the one reaction I could muster up:

Hey, I attended the Mickey 17 screening last night and I thought it was fantastic. Perfectly conveys the mood and directorial ticks of all his previous films; it’s funny but also cleverly political and though action and adventure take a back seat it’s always doing something sharp and thrilling. Robert Pattinson is wonderfully unhinged in twin roles, very reminiscent of the performances in Fight Club, Mark Ruffalo is delivering a very Trump-ian performance that akin to Tilda Swinton in Snowpiercer and if that’s not enough Toni Colette is just as evil and always in his ear. The production is stunning, big sets and practical effects with very minimal CGI work and the cinematography here is like super close to so much of David Finchers work, so stunning and very much a likely contender for a nomination. It was quite an experience. The introducer emphasized how early it was in the process with very minimally done but 75% was pretty much polished and ready to go with just a score and sound design missing. So much of it was clearly practical.

I’m quite happy that this one won’t a total CGI bonanza and that practical effects were used.“Mickey 17” stars Robert Pattinson and is an adaptation of Edward Ashton’s recently published novel. Naomi Ackie, Steven Yeun, Toni Collette and Mark Ruffalo also co-star.

The film centers on an “expendable,” who is a disposable employee on a human expedition sent to colonize an ice world. After one iteration dies, a new body is regenerated with most of his memories intact.

The South Korean auteur is know as the filmmaker behind critically-acclaimed films such as “Parasite,”“Snowpiercer,” “Mother” “The Host” and “Memories of Murder.”

← ‘Bond’ Producer Barbara Broccoli Says Reboot Will Take 3-4 YearsAustin Butler Calls Denis Villeneuve “One of the Greatest Filmmakers Alive” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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