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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sean Penn Defends Woody Allen: “The Accusations Against Him Never Made Sense to Me”

January 24, 2023 Jordan Ruimy

Sean Penn was a guest on Bill Maher’s podcast, and when the topic of Woody Allen came about, both of them did not hold back in their defence of the legendary director:

Sean Penn: “The Woody thing never made sense to me because I’ve never heard, watching forensic files, of a pedophile who only did it once. It just never made any sense to me. Also, in the middle of a custody fight with somebody (Mia Farrow) who adopted any child they could find, and whose brother was doing time in jail as a pedophile.”

Bill Maher: “Also, from a woman who had a giant motivation to be veangful beyond comprehension. Woody was also exonerated by two different investigations. “Hollywood is a bunch of f***ing cowards,” Maher said before softening his tone. “I love ‘em. I love show business… the default setting for anyone in show business is a complete idiot … especially actors”

Clearly, Maher and Penn don’t believe the accusations rallied against Woody Allen that he molested his then-child, Dylan Farrow, when she was just a girl. They detailed the reasons why Allen is likely innocent of the charges and chastised actors who turned on Allen after years of begging for roles in his movies.

If one took the time to read up on the history of Allen v Farrow then they would surely come out of it with broader knowledge of Allen’s innocence. The problem is that not many bother to read anymore, they’d rather blindly trust 140 character tweets than actually seek the facts of the case.

I highly recommend Robert Weide’s excellent dissections of Allen v Farrow which were published on 5.30.16, 12.13.17 and, most recently, 1.14.18. As well as Moses Farrow’s vehement defense of his dad.

As I wrote in my 03.09.20 essay, titled “The Case for Woody Allen’s Innocence”:

“This is a polarizing and infuriating scandal and the noise around it is not about to quell anytime soon. And yet, in an age where information is abundant, and educating yourself on just about anything is just a click away, the disinformation campaign led by the Farrows is dangerous and destructive to the #MeToo movement, whose historic significance should not be dampened and taken advantage of by opportunists.”

← #OscarsSoMale Trends After No Female Directors NominatedFrustrating ‘Infinity Pool’ Feels Like a Rehash of Brandon Cronenberg’s Earlier Films [Sundance] →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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