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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscars: Can Andrea Riseborough Win Best Actress?

January 25, 2023 Jordan Ruimy

British actress Andrea Riseborough, who just had her performance nominated for the small budget indie “To Leslie,” has a lot of passionate admirers in the industry.

Her film made $23,000 at the box-office, but received a last minute push from powerhouse agency CAA. Over 50 noteworthy actors and actresses vouched for her on social media in a grassroots campaign like no other.

These are some of the names that pushed Riseborough into that Oscar nomination: Charlize Theron, Kate Winslet, Amy Adams, Cate Blanchett, Laura Dern, Gwyneth Paltrow, Jennifer Aniston, Patricia Arquette, Edward Norton, Mark Ruffalo, Naomi Watts, Susan Sarandon, Jamie Lee Curtis, Liam Neeson, Jane Fonda, Demi Moore, Ed Harris, Allison Janney, Catherine Keener, Jennifer Garner, Greg Kinnear, Patricia Clarkson, Mia Farrow, Sarah Paulson, Helen Hunt, Kim Basinger, Marisa Tomei, Melaine Griffith, Sally Field, Amy Ryan, Judd Apatow, Lindsay Lohan, Ellen Barkin, Allan Cumming, Joe Mantegna, Mary Louise Parker, Debra Winger, Geena Davis, Brookie Shields, Juliette Lewis, Minnie Driver, Mira Sorvino, Courtney Cox, Richard E. Grant, Rosana Arquette, Anne Archer, Frances Fisher, Demián Bichir

In fact, Cate Blanchett mentioned Riseborough’s work in her speech at the Critics Choice Awards. That might have been what pushed her over the edge and into an Oscar nomination yesterday morning.

Of course, some will call this unfair, others will keep hammering the message that she stole a nomination from a black actress, but that’s foolishly misguided. If it were a fair world then you would have also had grassroots campaigning for Mia Goth (Pearl) and Rebecca Hall (Resurrection), who delivered two of the great performances, male or female, of 2022.

Now, every voter will be watching “To Leslie,” a movie they knew nothing about until a week ago. And it’s intensely brilliant work at that. The “discovery” has now given Riseborough a shot at winning the Oscar. Yes, you heard me right, if enough voters watch this performance then Riseborough can WIN.

“To Leslie” was made in 19 days with a budget of under a million dollars. There was no marketing budget, and the distributor messed up award submissions. The grassroots campaign to push for an Oscar nomination has changed the game. Now, maybe every year we’ll be seeing campaigning like this. That’s a good thing. Take the power of a narrative away from the pundits and critics and right into the hands of the Oscar voter.

The Oscars ceremony is on March 12th and, given that Riseborough has the arsenal of a full Hollywood backing, Blanchett and Yeoh better watch their backs now. Riseborough is for real and it’s the quite the story.

← Sundance Overspending: Searchlight Buys ‘Theater Camp’ For $8 Million, Apple Buys ‘Flora and Son’ For $20 MillionSteven Spielberg: “The Dark Knight” Deserved A Best Picture Nomination →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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