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‘Spider-Man: Brand New Day’ is Officially Highest-Grossing Movie of All-Time at Domestic Box Office

Now the question is whether Spidey can become the first movie to cross $1 billion domestically. With its legs having slowed down, and $63M in receipts still needed, I highly doubt it.

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Paul Schrader's ‘Non Compos Mentis’ Recasts: Sam Worthington, Liam Hemsworth and Cara Delevingne To Star in “Erotic Thriller”

After filming wraps on "Non Compos Mentis," which shoots next month, Schrader plans to start production on his "drug movie," "The Doors of Perception," in January.

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MPA: ‘Clayface’ and ‘The Social Reckoning’ Ready With “R” Ratings

Aaron Sorkin's "The Social Reckoning" has officially been stamped with an "R" rating for language, which is another idiotic move from the MPA. Why must "language" get an "R"?

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‘Digger’ Box Office Tracking Points to a Soft $20M Debut for Tom Cruise and Iñárritu

I actually find that number optimistic. Tickets for “Digger” go on sale next Tuesday, and presales will give us a better picture of how bad it’s looking.

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Danny Boyle's ‘Ink' TIFF Q&A Cut Short After Audience Member Grills Him on AI Use

Boyle's answer was met with a shout of "Never do that shit again" from the crowd, and the TIFF moderator swiftly brought the Q&A to a close, thanking everyone for coming.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Early and Positive Reaction For ‘Amsterdam’

September 17, 2022 Jordan Ruimy

David O. Russell’s “Amsterdam” has started screening all around the country, especially in NYC and Los Angeles.

I’ll leave it up to you to figure out why Russell’s film skipped the fall fests. It’s set to be released in two weeks and now it’ll have to build buzz organically through various different press and audience events.

Here’s one of presumably many reactions that will start trickling in the days to come. It’s a positive one, comparing “Amsterdam” to “American Hustle” set in the ‘30s:

AMSTERDAM was a lot like AMERICAN HUSTLE. Not only because both are period dramas featuring a group of unlikely friends, but all the set design, colours, cinemtography looked the same. However, what AMERICAN HUSTLE — which is a movie I quite like — is not is confusing. That’s probably AMSTERDAM’s biggest problem. The mystery is quite not bad at all and has a fulfilling and surprising resolution, but all the in-betweens can be a little tiring. There’s still one big thing involving Bale and Malek’s character which I still quite didn’t understand.

Anyhow, Oscar wise, I don’t think it’s gonna happen. Critics probably aren’t big fans of Russell, so I think good-to-great reviews could only happen if this was a slayage, which it is not, it’s fun, entertaining and a tiny bit messy. Acting-wise I was impressed by Christian Bale once again, he just inhabits this character with such ease and has a lot to do. Margot Robbie didn’t do anything exceptional and was mostly playing by the cards. John David Washington was fine and that’s it, I’m just not sure if the problem was that the character was too limited, if he was too limited, or both.

Anya Taylor-Joy was the only other person who made an impression on me after Bale, but that’s mostly because of the character she plays — ridiculous and funny. I loved her Taylor Swift has just a few scenes, but enough to make an impression. She is fine. Rami Malek and Robert DeNiro are also good.

There’s more noteworthy people in this outstanding ensemble, however, as I said, Bale and Joy were the only ones to impress me, the other ones were serviciable — but a good kind of serviciable! I do call this an outstanding ensemble solely because as a whole the ensemble worked very organically: sometimes, in films like these, there’s people who seem to be in a whole other movie, not much connection between the actors, fortunately that doesn’t happen here.

If somehow this movie surprises with the critics reviews in the coming week and gets in the Oscar conversation, this will be a fair bet at the SAG Awards. It could be like Bombshell: doesn’t get Picture, but the ensemble is hard to deny.

The cast is stacked. Where to begin? The film stars Christian Bale, Margot Robbie, John David Washington, Anya Taylor-Joy, Chris Rock, Michael Shannon, Mike Myers, Taylor Swift, Zoe Saldaña, Rami Malek, Robert De Niro, Andrea Riseborough and Matthias Schoenaerts.

Critics are already sharpening their knives out for Russell and this movie. I say, wait it out until it’s actually released in October. Also, try to not have the inevitable controversies surrounding its director affect your perception of this film.

← Disney’s ‘Little Mermaid’ Trailer Has 2.4 Million Dislikes on YouTubeBest Actress: Blanchett, Yeoh, Deadwyler, Robbie and Colman →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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