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Sandra Hüller to Play Male Writer in Maria Schrader’s ‘Work and Structure’

Hüller, known for her roles in “Anatomy of a Fall,” and “The Zone of Interest,” will take on the role of Wolfgang Herrndorf, who began recording his experiences after receiving a terminal brain tumor diagnosis.

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‘The Runner,’ Starring Gal Gadot, Is One of 2026’s Worsty-Reviewed Films With a 9% on Rotten Tomatoes

“The Runner,” which is basically another riff on “Run Lola Run,” a movie centered on characters moving through a city, is getting some of the worst reviews of the year.

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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The Russos Defend Shooting ‘Avengers: Doomsday’ Without a Finished Script: “We’re Improvisation-Based Directors”

Yes, ‘Doomsday’ was shot without a finalized script. It was being written as production rolled on. The screenplay was still under development on set, with daily rewrites and updates in progress.

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Paul Schrader’s ‘Three Guns at Dawn’ Is Now an AI Movie, Antoine Fuqua No Longer Involved

Schrader has been open to AI in filmmaking. He frequently posts AI-generated images of himself on Facebook and has admitted to using AI for script ideas. Did it come up with this new version of “Three Guns at Dawn”?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Venice Jury Leaning Towards Poitras, Field or Diop for the Golden Lion

September 7, 2022 Jordan Ruimy

Word around the campfire is that the Julianne Moore-led jury at Venice has favorited three movies for potential Golden Lion recompense: Laura Poitras’ “All the Beauty and the Bloodshed,” Alice Diop’s “Saint Omer,” and Todd Field’s “TÁR.”

Jury president Julianne Moore was seen visibly moved after the “All the Beauty and the Bloodshed” screening last Friday. She is also said to be a big fan of “Saint Omer.”

Speaking of Diop’s film, it screened today to positive reviews. It is part of the New York Film Festival’s prestigious main slate and is also set to screen this week at TIFF. Back in April, I reported that Cannes waited too long to make a decision on Diop’s film, which led to the filmmaker ultimately deciding to accept Venice’s invitation.

Another whispered-about contender, Martin McDonagh’s “The Banshees of Inisherin” is NOT in the running, according to a person I spoke to earlier today.

With all that being said, we still have Jafar Panahi’s “No Bears” left to be screened. The recently imprisoned Iranian filmmaker was already a coup-de-coeur for many to win the Golden Lion, despite his film having not been screened yet. “No Bears” will not garner bad reviews, that I can assure you. The entire film world has Panahi’s back at the moment.

It’s not just Panahi that’s left to be screened. Andrew Dominik’s “Blonde,” Vahid Jalilvand’s “Beyond the Wall,” Susanna Nicchiarelli‘s “Chiara,” and Roschdy Zem‘s “Our Ties” are the final films to be unveiled during the final two days of the Venezia.

If you average out every single critics poll from Venice then this is how the acclaim stands as of Thursday:

3.74 - The Banshees of Inisherin
3.57 - Bones and All
3.54 - All the Beauty and the Bloodshed
3.52 - TAR
3.49 - Saint Omer
3.35 - Argentina, 1985
3.05 - Love Life
3.01 - Monica
2.99 - Other People's Children
2.94 - White Noise
2.87 - The Eternal Daughter
2.86 - Lord of the Ants
2.84 - The Whale
2.67 - Bardo
2.63 - Athena
2.60 - L'immensita
2.55 - A Couple
2.48 - The Son

← ‘Blonde’ POLARIZES Venice [Updated]‘Fabelmans’ Poster →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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