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Paramount to Exit California Amid Warner Bros. Antitrust Fight

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France Picks Andrey Zvyagintsev’s Russian-Language ‘Minotaur’ as Its 2027 Oscar Submission

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Gregg Araki Starts Shooting ‘The Decline of F*cking Western Civilization’ with Ashton Kutcher and Alison Brie

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‘La Bola Negra’ Storms TIFF as Queer Epic Eyes Netflix’s First Best Picture Oscar

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Venice Jury Leaning Towards Poitras, Field or Diop for the Golden Lion

September 7, 2022 Jordan Ruimy

Word around the campfire is that the Julianne Moore-led jury at Venice has favorited three movies for potential Golden Lion recompense: Laura Poitras’ “All the Beauty and the Bloodshed,” Alice Diop’s “Saint Omer,” and Todd Field’s “TÁR.”

Jury president Julianne Moore was seen visibly moved after the “All the Beauty and the Bloodshed” screening last Friday. She is also said to be a big fan of “Saint Omer.”

Speaking of Diop’s film, it screened today to positive reviews. It is part of the New York Film Festival’s prestigious main slate and is also set to screen this week at TIFF. Back in April, I reported that Cannes waited too long to make a decision on Diop’s film, which led to the filmmaker ultimately deciding to accept Venice’s invitation.

Another whispered-about contender, Martin McDonagh’s “The Banshees of Inisherin” is NOT in the running, according to a person I spoke to earlier today.

With all that being said, we still have Jafar Panahi’s “No Bears” left to be screened. The recently imprisoned Iranian filmmaker was already a coup-de-coeur for many to win the Golden Lion, despite his film having not been screened yet. “No Bears” will not garner bad reviews, that I can assure you. The entire film world has Panahi’s back at the moment.

It’s not just Panahi that’s left to be screened. Andrew Dominik’s “Blonde,” Vahid Jalilvand’s “Beyond the Wall,” Susanna Nicchiarelli‘s “Chiara,” and Roschdy Zem‘s “Our Ties” are the final films to be unveiled during the final two days of the Venezia.

If you average out every single critics poll from Venice then this is how the acclaim stands as of Thursday:

3.74 - The Banshees of Inisherin
3.57 - Bones and All
3.54 - All the Beauty and the Bloodshed
3.52 - TAR
3.49 - Saint Omer
3.35 - Argentina, 1985
3.05 - Love Life
3.01 - Monica
2.99 - Other People's Children
2.94 - White Noise
2.87 - The Eternal Daughter
2.86 - Lord of the Ants
2.84 - The Whale
2.67 - Bardo
2.63 - Athena
2.60 - L'immensita
2.55 - A Couple
2.48 - The Son

← ‘Blonde’ POLARIZES Venice [Updated]‘Fabelmans’ Poster →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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