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‘You Can See Everything' Is Currently Letterboxd's Highest-Rated Film Ever, Beating ‘The Godfather,’ ‘12 Angry Men,’ ‘Seven Samurai’

Nathan Fielder and Lance Oppenheim's "You Can See Everything" has been in theaters for, what, three days? And it's already the highest-rated feature film of all time on Letterboxd.

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Quentin Tarantino Calls David Fincher “My Favorite Director, Aside From Myself"

Quentin Tarantino doesn't usually put modern-day filmmakers on his level. That’s just how he is. David Fincher seems to be the one exception.

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John Malkovich Is the Best Actor Frontrunner. Then It's Matt Damon, Andrew Scott, Ryan Gosling and… Tom Cruise?

At the top, it's John Malkovich's to lose. He is a lock for Martin McDonagh's "Wild Horse Nine.” This would be his first lead nod. A late-career Malkovich comeback in a McDonagh movie? I'm all for it.

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Tom Holland to Star in Drew Pearce's Thriller ‘Penthouse’ for Sony — and I'm Still Not Convinced He’s a Movie Star

I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.

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Netflix Fires Film Chief Dan Lin

Under Lin, the quality of Netflix's movies got worse. The Lin era was defined by mid-budget, algorithm-friendly fare and a wobbly relationship with the filmmakers who actually gave Netflix its prestige.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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The Indie Spirit Awards Moving To Gender-Free Acting Categories

August 23, 2022 Jordan Ruimy

The Indie Spirit awards have just solved a problem that didn't exist.

The awards show’s top honchos have announced that, starting in 2023, the acting prizes will go gender-neutral, merging the male and female acting categories into one.

“We’re thrilled to join the other festivals and award shows that are already moving to celebrate great acting without reference to gender,” Film Independent president Josh Welsh said in a statement. “We’re also happy to welcome non-binary performers into the Spirit Awards without forcing them to choose to identify as male or female.”

And just like that, the Spirit awards have opened the door for predictable outrage if a male actor were to win and a female actress wins nothing — did they not think about this before announcing today’s changes?

It’s actually been argued that this would hurt women as most meaty acting roles are for men, so they would have a better chance of winning every time. Although, in the age of virtue signaling, this could also mean that rewarding a woman with the award could be perceived as unearned and deliberately done due to her gender. It’s a lose-lose situation for all, they just don’t know it yet.

If anything, the problem and lack of gender parity should be solved within the industry, in creating better roles for women. Performance is subjective. So what happens when the best performances are all male? I mean, just from a numbers perspective, there are still more male-led films than female, so, technically, there will be a greater chance of the acting award going to a man, and yet, if you're only rewarding men then there will be the predictable perception of sexism.

However, on the flip side, if you're attempting to appear impartial by deliberately selecting women then you'll appear to be pandering. Again, there is no winner here.

The plan is to expand Lead Performance and Supporting Performance into 10 nominee categories. What if there are, for example, 7 male and only 3 female performers nominated one year? Again, imagine the backlash. What the awards shows need to have is as little controversy as possible. The amount of backlash and squabbling that happens every year due to political activism has turned mind-numbing at this point.

Of note, the Spirit Awards also changed the eligibility rules from films with a budget of $20 million or less to now $30 million or less. This paves the way for “Everything Everywhere All At Once” to be eligible for the 2023 awards.

It’s also about ratings. The Indie Spirit Awards have nobody tuning into the telecast. Last March, their ratings were so low that they didn’t even make the Top 150 Cable shows of that day. 

← ‘The Fabelmans’: Full TIFF Synopsis ReleasedNotes: TIFF Schedule Released, Some Interesting Details →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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