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Jessica Lange and Ed Harris' 'Long Day's Journey Into Night' Lands September U.S. Release — 4 Years After It Wrapped

Quiver, a tiny specialty distributor that makes even Vertical and Briarcliffe look behemoth, has picked up U.S. distribution of the long-delayed film from fellow micro-indie Blue Fox.

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Lily Wachowski: “I Cannot Find A Studio That Will Do Any of My Movies”

If you remember, back in June, Lily told IndieWire, that, despite strong efforts, none of these projects have been able to get a greenlit because “fascism” is currently thriving.

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DCU’s ‘Wonder Woman’ Movie Delayed Following ‘Supergirl’ Box Office Flop

Whatever plans there were for "Wonder Woman" to go into pre-production, with a 2027 shoot in mind, have been scrapped. Gunn and Safran will be taking their time with this project.

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Box Office: ‘Practical Magic 2’ With $4.7M in Thursday Previews — $40M Opening Expected [Updated]

Warner Bros' "Practical Magic 2" is off to a solid start, pulling an estimated $4M in Thursday previews after showtimes kicked off at 2 p.m.

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‘Being Heumann' Review: Sian Heder's ‘Coda' Follow-Up Is Warm, Well-Meaning, and a Little Too Safe [TIFF]

Sian Heder's follow-up to “Coda” has landed at TIFF, and — I'll admit — it's a film that works better than I thought it would, which isn't to say it's a great film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Venice Packs the Big Names: Baumbach, Aronofsky, Dominik, Field, Iñárritu, Guadagnino, McDonagh, Panahi, Schrader

July 26, 2022 Jordan Ruimy

Not many surprises when it comes to this year’s Venice Film Festival, but a 23-film competition??! I guess they really couldn’t sacrifice one of the American productions and just jammed all of them in there.

23 films from … 7 countries?!! That’s Venice for you.

Almost everyone we predicted got in; the only unexpected titles are Vahid Jalilvand’s “Beyond the Wall,” Roschdy Zem’s “Our Ties” and Laura Poitras’ “All the Beauty and the Bloodshed.”

Notable absences: the two American #MeToo films: Sarah Polley’s “Women Talking” and Maria Schrader’s “She Said.” I guess Venice didn’t convince Polley to World Premiere her film there, so now the sweepstakes are between Toronto and Telluride.

Ira Sachs’ “Passages” was not mentioned either. Maybe it’s just not that good. If you remember, I had reported it was taken out of the Cannes lineup at the very last minute, replaced by another title. Now Sachs’ film will have to aim for Toronto or New York.

Non-US absences include Christophe Honore’s “Le Lycceen,” Hong Sang-soo’s “No Walks,” Amat Escalante’s “The State of the Empire,” and Fatih Akin’s “Rheingold.”

The 2022 Venice Film Festival runs August 31 to September 10. Check out the full official lineup for the festival below.

Opening Night

“White Noise,” Noah Baumbach (in competition)

Competition/Venezia 79

“Il Signore delle Formiche,” Gianni Amelio
“The Whale,” Darren Aronofsky
“L’Immensita,” Emanuele Crialese
“Saint Omer,” Alice Diop
“Blonde,” Andrew Dominik
“Tár,” Todd Field
“Love Life,” Koji Fukada
“Bardo,” Alejandro González Iñárritu
“Athena,” Romain Gavras
“Bones and All,” Luca Guadagnino
“The Eternal Daughter,” Joanna Hogg
“Beyond the Wall,” Vahid Jalilvand
“The Banshees of Inisherin,” Martin McDonagh
“Argentina, 1985,” Santiago Mitre
“Chiara,” Susanna Nicchiarelli
“Monica,” Andrea Pallaoro
“No Bears,” Jafar Panahi
“All the Beauty and the Bloodshed,” Laura Poitras
“A Couple,” Frederick Wiseman
“The Son,” Florian Zeller
“Our Ties,” Roschdy Zem
“Other People’s Children,” Rebecca Zlotowski


Out of Competition (Fiction)

Closing Film: “The Hanging Sun,” Francesco Carrozzini
“When the Waves Are Gone,” Lav Diaz
“Living,” Oliver Hermanus
“Dead for a Dollar,” Walter Hill
“Call of God,” Kim Ki-duk
“Dreamin’ Wild,” Bill Pohlad
“Master Gardener,” Paul Schrader
“Siccita,” Paolo Virzi
“Pearl,” Ti West
“Don’t Worry Darling,” Olivia Wilde

Out of Competition (Non Fiction)

“Freedom on Fire: Ukraine’s Fight for Freedom,” Evgeny Afineevsky
“The Matchmaker,” Benedetta Argentieri
“Gli Ultima Giorni Dell’Umanita,” Enrico Ghezzi, Alessandro Gagliardo
“A Compassionate Spy,” Steve James
“Music for Black Pigeons,” Jorgen Leth and Andreas Koefoed
“The Kiev Trial,” Sergei Loznitsa
“In Viaggio,” Gianfranco Rosi
“Bobby White Ghetto President,” Christopher Sharp and Moses Bwayo
“Nuclear,” Oliver Stone

Out of Competition (Series)

“The Kingdom Exodus,” Lars von Trier
“Copenhagen Cowboy,” Nicolas Winding Refn

← Inarritu’s ‘Bardo’ is 3-Hours‘Resurrection’: All Hail, Rebecca Hall in This Hypnotic Thriller [Capsule] →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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