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Confirmed: Stephen Graham Joins Michael Mann’s ‘Heat 2’ as Young Neil McCauley

According to Variety, Graham is confirmed to have joined the cast of “Heat 2,” joining the already-announced Leonardo DiCaprio, Christian Bale, Adam Driver, Jason Clarke and Odessa Young.

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‘Brand New Day’ Has Sold 75 Million Tickets. ‘Titanic’ Sold 137 Million, and ‘The Force Awakens’ 108 Million

Due to inflation, raw box-office dollars no longer tell us nearly as much about how many people actually saw a movie. ‘Brand New Day’ might soon be the all-time box office champ, but an asterix is needed.

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Alex Gibney’s ‘Musk’ Teaser Arrives, But the 4-Hour Elon Musk Doc Offers Few Surprises [Venice]

The problem with “Musk” isn’t that it’s boring. It’s that it’s four hours long and, for much of that runtime, has surprisingly little new to say about Elon Musk.

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Steven Knight Says the Next James Bond Has Been Cast: It’s “A Little Bit Easier” to Write Script With the Actor in Mind

So, whatever rumors you’d heard of Bond auditions still happening are not true. Steven Knight, the screenwriter of the next James Bond film, is saying that the new 007 has already been cast.

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Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Alejandro Gonzalez Inarritu’s ‘Bardo’ Might Be the Film to Beat at the Fall Fests

June 12, 2022 Jordan Ruimy

If my intel proves correct, and I have no doubt it will, then the upcoming fall festival season is Alejandro Gonzalez Inarritu’s for the taking.

With Wes Anderson’s “Asteroid City” and Jonathan Glazer’s “The Zone of Interest” now 2023, not to mention Ari Aster’s “Disappointment Blvd” in limbo, and Paramount keeping Damien Chazelle’s “Babylon” in hiding, Inarritu’s “Bardo” could very well be the movie to beat at Venice/Telluride/Toronto.

I still have hopes for Yorgos Lanthimos’ “Poor Things” to be ready by September, but my source is confident that it’s out. The film’s delays don’t make much sense to me, especially since it wrapped production very late last year. What is going on with that film?

Back to Inarritu, three of his last four films were Oscar-nominated for Best Picture; 2006’s “Babel,” 2014’s “Birdman” and 2015’s “The Revenant.” There is no reason to think “Bardo” will not be a major factor in this year’s race. A festival programmer tells me they were blown away by Inarritu’s mix of surrealism, drama and comedy in “Bardo.”

“Bardo” is Inarritu’s autobiographical film, shot in Mexico, that will inevitably be compared to “Roma.” It’ll probably be more accessible than Alfonso Cuaron’s film. Netflix will be in charge and have a massive campaign behind it.

As it stands, the ten hotties for the upcoming fall festival season are Inarritu’s “Bardo,” Noah Baumbach’s “White Noise,” Darren Aronofsky’s “The Whale,” Andrew Dominik’s “Blonde,” Todd Field’s “TAR,” Martin McDonagh’s “The Banshees of Inisherin,” Luca Gudagnino’s “Bones and All,” Florian Zeller’s “The Son,” Joanna Hogg’s “The Eternal Daughter,” and Sarah Polley’s “Women Talking.”

The above list also implies that Scorsese, Spielberg, Chazelle, Fincher and O. Russell are all skipping the September fests with their respective new films.

Venice is supposed to announce its lineup the last week of July. Toronto announces their first wave of films the last week of June. Telluride doesn’t reveal its lineup until the day before the fest begins in late August.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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