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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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George Miller’s ‘Three Thousand Years of Longing’ is a Major Disappointment at Cannes

May 21, 2022 Jordan Ruimy

George Miller‘s “Three Thousand Years of Longing” plays as a 21st century riff on “Arabian Nights.

The unusual love story Tilda Swinton‘s English writer and Idris Elba‘s romantic Djinn does strike a few nice chords, but Miller decides to concentrate the bulk of his movie on the Djinn’s century-spanning history, which has no tension or surprising elements to it.

During the last 20 minutes though, Miller decides to concentrate on the sudden romance between Djinn and writer. It’s actually quite poignant; both characters never truly found love but realize they might be meant for each other.

I didn’t find any of the eye-popping visuals Miller usually delivers, but it’s definitely CG-swamped especially the Arabian Nights-styled stories that go from the mundane to the impenetrable. I wasn’t a fan.

Swinton and Elba, as usual, are great in their respective roles. Bring on “Furiosa”.

← ‘Triangle of Sadness’: Ruben Ostlund’s Latest Provocation Will Have You Shocked, Aghast and Amused [Cannes]‘Brother and Sister’: Arnaud Desplechin Has Lost His Mojo [Cannes] →

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