The wheels are already turning to lock in a sequel to Greta Gerwig's 2023 blockbuster, and it sounds like an inevitability: "There's no way “Barbie 2” doesn't happen."
"Behemoth!" is Tony Gilroy's first film in 14 years, and it comes nearly two decades after his debut, "Michael Clayton." It also arrives four years after the critical and commercial triumph of his Disney+ series "Andor."
Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.
Bayona hasn't directed a feature since “Society of the Snow,” his 2023 Oscar nominee. His résumé also includes “The Orphanage,” “The Impossible,” and “A Monster Calls.”
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
Atticus Ross and Trent Reznor will be scoring Luca Guadagnino’s Venice-bound film“Bones & All”.
Ross and Reznor have been one of the most sought-out film composers of the last decade, having created the scores for “The Social Network”, “Gone Girl”, Pixar’s “Soul.”
“Bones & All” is said to follow a young woman (Taylor Russell) with cannibalistic urges who embarks on a road trip with Timothée Chalamet’s Lee to find her father, and figure out why she has a desire to eat those she loves.
When one amigo gets hit, the other two show up. That's been the deal for three decades between Alejandro G. Iñárritu, Guillermo del Toro and Alfonso Cuarón, and it's playing out in real time this weekend