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Jesse Eisenberg’s ‘The Debut’ Raved at Telluride! Julianne Moore “Astonishing” Performance in Best Picture Contender

The film has taken over the Telluride Film Festival. It’s a best picture contender. Julianne Moore is a best actress frontrunner. Paul Giamatti might win his first Oscar for as supporting actor.

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The Rolling Stones Biopic Is Happening

The Rolling Stones are heading to the big screen after reportedly finalizing a biopic deal with American production company 101 Studios.

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Drew Goddard Won’t Move Forward With ‘Matrix 5’ Without the Wachowskis’ “Blessing” of the Script

Wachowski, who isn’t involved with Goddard’s “reboot,” confirms being “done” with The Matrix, but apparently Goddard still wants Lily and Lana’s blessing before continuing with his work.

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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ken Loach Set to Shoot ‘The Old Oak’ This Month

May 2, 2022 Jordan Ruimy

Ken Loach’s “The Old Oak” is set to start production this month. Here’s a synopsis:

It is set in a former coal-mining village that has never fully recovered from the closure of the mines. Its once-thriving, proud community struggles to keep old values alive amid growing anger and despondency, while few youngsters stick around

An influx of Syrian refugees, drawn by the abundance of cheap and available housing, brings in fresh blood but it is not clear whether the community will accept them and what it means for the last remaining pub The Old Oak.

Loach is coming off two well-received Cannes competition titles; the Palme d’Or winning “I, Daniel Blake” and 2019’s “Sorry We Missed You.”

In my Cannes review of the latter I wrote.

“Bless Loach’s heart. The man is relentless in his refusal to stop depicting working-class stories. After all, even his closest competitor, Mike Leigh, has dabbled outside his comfort zone in the past; not Loach, though, who was once retired but is back to tell the tales. Good on him. I will freely admit that his latest, “Sorry We Missed You,” got to me for its first hour or so, but it eventually became tiresome in its attempts to hammer on its anti-capitalist message. The miseries kept piling up, so much so that it felt like overload.”

In other words, in Loach’s last few films, we have been inundated with the kind of misery porn we’ve seen countless times before, but in better movies, starting with 1960’s Kitchen Sink dramas all the way to Leigh and Loach’s own marquee films. These are too predictable, too familiar to be truly singular.

Whenever Loach subtly goes for our gut instead of our tears, then we get to see shades of the man who gave us the masterful “Kes,”— still his best movie by the way.

← Alex Garland’s ‘Men’ Gets Polarizing First Reactions‘Killers of the Flower Moon’: Rumors Continue About A Potential 2023 Release →

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Critics Polls

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