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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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James Gray Finally Admits His Cut of ‘Ad Astra’ Was “Taken” From Him During The Edit

October 18, 2022 Jordan Ruimy

Total coincidence, but after reposting yesterday’s 2019 piece on the turbulent post-production process James Gray had to endure during “Ad Astra,” the filmmaker finally admitted today that it indeed wasn’t his cut released in theaters.

During his masterclass at the recent Lumiere Film Festival (via Variety), Gray spoke about how frustrating an experience making the sci-fi epic was:

“Creatively, it became a very torturous experience. The film was taken from me, ultimately: it’s not my cut of the movie, and I find it a very painful experience to have people tell me things they hated about the movie that I had nothing to do with. I was so deeply upset, I had lost all my enthusiasm for making films. And I said, ‘If I’m going to do it again, if it’s going to be bad, it might as well be my bad.’” 

So, there’s your confirmation. “Ad Astra” was taken away from Gray during the editing phase and he had absolutely no final say in how the film was being edited and what additional scenes were being shot. In fact, he wasn’t even part of the reshoots, another filmmaker was hired to direct the additionally added scenes.

I had written more than three years ago that the main conflicts between Gray and 20th Century had to do with the studio wanting to insert “more action” and, at Brad Pitt’s insistence, adding in flashbacks starring Liv Tyler as Pitt’s ex-wife. Pitt’s main argument revolved around his feeling that the character of McBride was lacking some kind of “earthly connection”.

Voiceover narration was also added in very late during the post-production process. In Gray’s first cut, McBride never goes into interior monologuing at all. It turns out that the narration was one of the major complaints detractors had about the film.

When my piece ran three years ago, 20th Century quickly contacted me, denying the contents of what I wrote and told me to take it down. I ended up re-writing a tighter piece with less concise detailing of the post-production problems. I should have just stuck by my guns and kept the original.

The sci-fi epic was still well-received, with IndieWire’s very own David Ehrlich recently stating that if one didn’t like “Ad Astra” then they were just “dumb.” The film was a box-office failure in the US, earning just $50 million on a budget reported to be around $100 million.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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