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‘Artificial’ Releases Trailer, Sets Christmas 2026 Theatrical release

Here’s the teaser for Luca Guadagnino’s “Artificial,” which Neon has officially dated for a December 25, 2026 release. I’ve also posted some first look images below.

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Confirmed: Stephen Graham Joins Michael Mann’s ‘Heat 2’ as Young Neil McCauley

According to Variety, Graham is confirmed to have joined the cast of “Heat 2,” joining the already-announced Leonardo DiCaprio, Christian Bale, Adam Driver, Jason Clarke and Odessa Young.

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‘Brand New Day’ Has Sold 75 Million Tickets. ‘Titanic’ Sold 137 Million, and ‘The Force Awakens’ 108 Million

Due to inflation, raw box-office dollars no longer tell us nearly as much about how many people actually saw a movie. ‘Brand New Day’ might soon be the all-time box office champ, but an asterix is needed.

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Alex Gibney’s ‘Musk’ Teaser Arrives, But the 4-Hour Elon Musk Doc Offers Few Surprises [Venice]

The problem with “Musk” isn’t that it’s boring. It’s that it’s four hours long and, for much of that runtime, has surprisingly little new to say about Elon Musk.

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Steven Knight Says the Next James Bond Has Been Cast: It’s “A Little Bit Easier” to Write Script With the Actor in Mind

So, whatever rumors you’d heard of Bond auditions still happening are not true. Steven Knight, the screenwriter of the next James Bond film, is saying that the new 007 has already been cast.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘She Said’ Screens to Mostly Positive Notices at NYFF

October 13, 2022 Jordan Ruimy

UPDATED: “She Said” screened at NYFF. The embargo has lifted. Reactions are all over the place. I believe this film’s best shot will probably be a Carey Mulligan push for Supporting Actress.

THR likes it, so does The Guardian’s Adrian Horton. Vanity Fair’s Richard Lawson, The Wrap’s Ross Lincoln and Variety’s Owen Gleiberman are mixed to positive.

Paste Magazine, The Daily Beast, Slash Film are negative.

Many of these reviews just can’t help but compare it to “Spotlight.” Is that what we’re going to do now after every journalism-based film gets released? Forcibly mention and compare to “Spotlight”? It used to be that “All the Presidents Men” was the go-to point of reference.

All of this to say that if you actually want to watch a great movie about Weinstein’s predatorial behavior then it has to be Kitty Green’s brilliantly minimalist “The Assistant.” It’s the ballsier and more artful tackling of the Weinstein story. Sadly, it was released right at the start of the pandemic and got buried amidst the chaos.

EARLIER: The next few days will give us a better picture of the Oscar race ahead. Maria Schrader’s “She Said” screens on Thursday morning for NYFF press and then has its world premiere during the evening.

I’ll be updating this post once “She Said” reactions start trickling in tomorrow. The film hasn’t been seen by many. The film test-screened in August to generally favourable reactions. Here’s one that I had originally posted:

“Better than a TV movie. Not sure about Best Picture, but Samantha Mortonand Carey Mulligan are the MVPs. Very intelligently made and well-directed. They smartly show the effect of the abuse. Victims go back to the hotel rooms, reenact what happened in the bed and shower, but with their clothes on. It’s very Spotlight, maybe too much so. It also has a fantastic ending. We never get to see Weinstein’s face, only see his back and hear his voice.”

The trailer for the investigative journalism drama, which tells the story of how New York Times reporters Jodi Kantor and Megan Twohey nailed Harvey Weinstein, hinted at something alongs the lines of “Spotlight.” What I’m wondering is why this film didn’t screen at any of the big three festivals (Venice, Telluride, Toronto).

We know that THR’s resident awards expert, Scott Feinberg, has seen “She Said” and even included it in his Best Picture predictions. The film has also been selectively screening in Los Angeles these past few weeks, the reactions have been mixed-to-positive.

Schrader’s film needed films to disappoint at the fall fests, and, now that that exact scenario has occurred, the door is wide open for “She Said” to pounce on the opportunity. It does, however, need great reviews. Generally positive ones, ala “Till,” wont be enough for a potential Best Picture nomination.

I’m also hearing that Carey Mulligan will be campaigned as Supporting actress and is far likelier to be nominated than her co-star Zoe Kazan.

← ‘A Man Called Otto’ Trailer Coming Next WeekFilming Wraps on George Miller’s ‘Furiosa’ →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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