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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘She Said’ Screens to Mostly Positive Notices at NYFF

October 13, 2022 Jordan Ruimy

UPDATED: “She Said” screened at NYFF. The embargo has lifted. Reactions are all over the place. I believe this film’s best shot will probably be a Carey Mulligan push for Supporting Actress.

THR likes it, so does The Guardian’s Adrian Horton. Vanity Fair’s Richard Lawson, The Wrap’s Ross Lincoln and Variety’s Owen Gleiberman are mixed to positive.

Paste Magazine, The Daily Beast, Slash Film are negative.

Many of these reviews just can’t help but compare it to “Spotlight.” Is that what we’re going to do now after every journalism-based film gets released? Forcibly mention and compare to “Spotlight”? It used to be that “All the Presidents Men” was the go-to point of reference.

All of this to say that if you actually want to watch a great movie about Weinstein’s predatorial behavior then it has to be Kitty Green’s brilliantly minimalist “The Assistant.” It’s the ballsier and more artful tackling of the Weinstein story. Sadly, it was released right at the start of the pandemic and got buried amidst the chaos.

EARLIER: The next few days will give us a better picture of the Oscar race ahead. Maria Schrader’s “She Said” screens on Thursday morning for NYFF press and then has its world premiere during the evening.

I’ll be updating this post once “She Said” reactions start trickling in tomorrow. The film hasn’t been seen by many. The film test-screened in August to generally favourable reactions. Here’s one that I had originally posted:

“Better than a TV movie. Not sure about Best Picture, but Samantha Mortonand Carey Mulligan are the MVPs. Very intelligently made and well-directed. They smartly show the effect of the abuse. Victims go back to the hotel rooms, reenact what happened in the bed and shower, but with their clothes on. It’s very Spotlight, maybe too much so. It also has a fantastic ending. We never get to see Weinstein’s face, only see his back and hear his voice.”

The trailer for the investigative journalism drama, which tells the story of how New York Times reporters Jodi Kantor and Megan Twohey nailed Harvey Weinstein, hinted at something alongs the lines of “Spotlight.” What I’m wondering is why this film didn’t screen at any of the big three festivals (Venice, Telluride, Toronto).

We know that THR’s resident awards expert, Scott Feinberg, has seen “She Said” and even included it in his Best Picture predictions. The film has also been selectively screening in Los Angeles these past few weeks, the reactions have been mixed-to-positive.

Schrader’s film needed films to disappoint at the fall fests, and, now that that exact scenario has occurred, the door is wide open for “She Said” to pounce on the opportunity. It does, however, need great reviews. Generally positive ones, ala “Till,” wont be enough for a potential Best Picture nomination.

I’m also hearing that Carey Mulligan will be campaigned as Supporting actress and is far likelier to be nominated than her co-star Zoe Kazan.

← ‘A Man Called Otto’ Trailer Coming Next WeekFilming Wraps on George Miller’s ‘Furiosa’ →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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