I am watching Clint Eastwood’s “Cry Macho” this morning. That means that, according to my books, there are only six biggies left to be screened in 2021: Paul Thomas Anderson’s “Licorice Pizza,” Guillermo del Toro’s “Nightmare Alley,” Steven Spielberg’s “West Side Story,” Adam McKay’s “Don’t Look Up,” Joel Coen’s “Tragedy of Macbeth,” and Cary Joji Fukunaga’ “No Time to Die.”
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Quentin Tarantino doesn't usually put modern-day filmmakers on his level. That’s just how he is. David Fincher seems to be the one exception.
At the top, it's John Malkovich's to lose. He is a lock for Martin McDonagh's "Wild Horse Nine.” This would be his first lead nod. A late-career Malkovich comeback in a McDonagh movie? I'm all for it.
I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.
Under Lin, the quality of Netflix's movies got worse. The Lin era was defined by mid-budget, algorithm-friendly fare and a wobbly relationship with the filmmakers who actually gave Netflix its prestige.
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This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
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Nathan Fielder and Lance Oppenheim's "You Can See Everything" has been in theaters for, what, three days? And it's already the highest-rated feature film of all time on Letterboxd.