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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Paris, District 13’ Is All About Sex and More Sex [Cannes]

July 15, 2021 Jordan Ruimy

Jacques Audiard’s “Paris, 13th District” is the French filmmaker’s first film since his Palme d’Or win for “Deephan” back in 2015. Don’t expect this racy but oddly convoluted film to land Audiard the big prize again this year.

The tangled plot has Chinese-French student Émilie (Lucie Zhang) searching for a roommate, which leads her to Camille (Makita Samba), a twentysomething high-school teacher. They hook up the first night he moves in, but the roommate-with-benefits perks quickly turn into nadir as Émilie develops feelings for him that he can’t reciprocate.

Enter Nora (Noémie Merlant), a thirtysomething student enrolling in law school and being mistaken for “Amber Sweet,” an online sex-chat worker; After being ridiculed by the student body for the sex work she never did, Nora drops out and makes a career in real estate and that’s where he and Camille become co-workers at the agency and eventual sexual partners.

Convoluted much? Quite so. Audiard’s film is all about intercourse, and more intercourse. It’s an indelibly sexy movie with Zhang, Samba and Merlant going full-frontal for their respective roles. It all works, ever so slightly, well, with the message here that life without sex can be miserable. How French.

Shot in sumptuous black-and-white and adapted from comic-book artist Adrian Tomine’s short stories novella “Killing and Dying by the American,” Audiard’s Film lacks the kind of substance, not to mention subtle nature, to rank among his greats (“A Prophet,” “Rust and Bone”). However, this is a film very much driven by visual filmmaking and the excellent performances from its cast.

Nothing too profound is said here, it’s all about the highs of coitus and, I guess, the falling in and out of love that can come with it. Once Amber Sweet herself (Jehnny Beth) shows up into the mix, and a relationship begins to flower between her and Nora, you just lose all grasp of the numerous implausibilities that happen in the screenplay, which, in addition to Audiard, was co-written by none other than “Portrait of a Lady on Fire” helmer Celine Sciamma. [B]

← ‘The Story of My Wife’: 3 Hours of Nothingness [Cannes]‘A Hero’: Asghar Farhadi’s Tense Drama Tackles Social Media Manipulation [Cannes] →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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