Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.
Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”
The project was gaining steam in 2023, and then the WGA strikes hit, which deflated the entire thing. At the time, Austin Butler and Colin Farrell were in talks to star as the film’s two leads.
Luca Guadagnino doesn’t make short movies. His latest, “Artificial,” is yet another example of the indulgence he tends to bring to all of his films.
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
Word on the street is that Paul Schrader spilled the beans at a recent Q&A that his upcoming “The Card Counter” will be premiering at the Venice and Telluride Film Festivals in early September. The guy can’t ever shut his trap, but that’s why we love him.
Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”