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Sandra Hüller to Play Male Writer in Maria Schrader’s ‘Work and Structure’

Hüller, known for her roles in “Anatomy of a Fall,” and “The Zone of Interest,” will take on the role of Wolfgang Herrndorf, who began recording his experiences after receiving a terminal brain tumor diagnosis.

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‘The Runner,’ Starring Gal Gadot, Is One of 2026’s Worsty-Reviewed Films With a 9% on Rotten Tomatoes

“The Runner,” which is basically another riff on “Run Lola Run,” a movie centered on characters moving through a city, is getting some of the worst reviews of the year.

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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The Russos Defend Shooting ‘Avengers: Doomsday’ Without a Finished Script: “We’re Improvisation-Based Directors”

Yes, ‘Doomsday’ was shot without a finalized script. It was being written as production rolled on. The screenplay was still under development on set, with daily rewrites and updates in progress.

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Paul Schrader’s ‘Three Guns at Dawn’ Is Now an AI Movie, Antoine Fuqua No Longer Involved

Schrader has been open to AI in filmmaking. He frequently posts AI-generated images of himself on Facebook and has admitted to using AI for script ideas. Did it come up with this new version of “Three Guns at Dawn”?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Venice: Jane Campion’s ‘The Power of The Dog’ Confirmed to An Already Stacked 2021 Lineup

June 10, 2021 Jordan Ruimy
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You can add Jane Campion’s new film, “The Power of the Dog,” to what I keep hearing will be an absolutely astonishing 2021 Venice Film Festival. (Variety)

If you remember, the film was aiming to premiere at Cannes, but the Netflix issue at the heart of that festival hasn’t been solved. A real shame since Campion remains the only female director to ever win the Palme d’Or with 1993’s “The Piano.”

The synopsis for “The Power of the Dog” is said to follow “two brothers in 1920s Montana as they come to blows over the fact that one of them marries a woman secretly. The upset brother then wages war against the new addition to the family.”

And so, with Denis Villeneuve’s “Dune” also Venice-bound, it all begs us to ask the question; will Venice outshine Cannes this year? This is having some in the industry buzzing, but don’t be fooled, Cannes is still the Mecca of cinema. If you’re looking for Oscar-buzz then, yeah, maybe Venice wins, but, in terms of pure world cinema quality, Cannes always gets the top spot.

With that being said, I am continuing on with my Venice predictions, updated below, and it is looking like it will be a mighty fine edition filled with big names. Just look at some of the titles destined for the Lido this year:

"Dune" - Denis Villenueve
"Soggy Bottom" - Paul Thomas Anderson
"Blonde" - Andrew Dominik
"The Power of the Dog" - Jane Campion
"The Tragedy of Macbeth" - Joel Coen
"Benediction" - Terrence Davies
"The Card Counter" - Paul Schrader
"The Hand of God" - Paolo Sorrentino
"Spencer" - Pablo Larrain
"Fire" - Claire Denis
"Decision to Leave" - Park Chan-wook
"The Eternal Daughter" - Joanna Hogg
"Driftwood" - Michel Franco
"Il buco" - Michelangelo Frammartino
"Mona Lisa and the Blood Moon" - Ana Lily Amirpour
"House of Gucci" - Ridley Scott

Compare the above to Cannes 2021 filmmakers (Anderson, Carax, Verhoeven, Farhadi, Weerasethakul, Baker, Audiard, Hansen-Love, Ozon) and it’s a fair fight.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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