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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Nomadland’ Wins Best Picture in Lowest-Rated Oscars Telecast Ever

April 26, 2021 Jordan Ruimy
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It was inevitable, but Chloe Zhao’s “Nomadland” took him the big prize last night at the 93rd Academy Awards … and absolutely nobody cared. The numbers aren’t in yet, but I’m being told that this was the lowest rated Oscar telecast ever— look for official viewing tallies to be released later today.

Last night’s hostless Oscar ceremony was lifeless. Barely any jokes were made, the mood was somber and stilted. This kind of self-seriousness on the part of the A-list in California is why much of America is tuning out of these types of awards shows. Take, for example, the meltdown that occurred within the media and Twitter when the late —recently sainted— Chadwick Boseman lost the Best Actor Oscar to Anthony Hopkins. You’d think the pope had just died.

For all the inclusive aspirations the Academy seemed to promote pre-ceremony, Hopkins beating Boseman and Frances McDormand beating Viola Davis turned out to be a worst case scenario for them. Ironically, the much-maligned Golden Globes, ridiculed as racists these last couple of months, ended up with two black actors winning in lead, and the SAG ended with all four acting winners being people of color. It makes you wonder if what we’re being sold as as an inclusive and all-encompassing and utopian Academy, at the end of the day, is actually a voting body that is 84% white and not that interested in virtue signaling its winners based purely on race.

And so, after last night’s debacle, what we were left with is an Academy in a state of limbo — a major identity crisis, if you will. The worst case scenario happened.

EDITED — Via THR: The 93rd Academy Awards drew 9.85 million viewers and a 1.9 rating among adults 18-49 on Sunday. That's a steep drop from from last year's 23.64 million viewers and 5.3 in the key ad demographic — both of which were the previous all-time lows.

← Paul Thomas Anderson’s ‘Soggy Bottom’ Rumored For Cannes World Premiere2021 Oscars predictions: Will ‘Nomadland’ Win Best Picture? →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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