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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer! [Updated]

Netflix has finally decided to stop teasing us with cryptic teasers and has given us an actual trailer for “The Further Mis-Adventures of Cliff Booth,” David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Limbo’: Cannes-Selected Film Tackles the Immigrant Experience in Dryly Deadpan Fashion [Review]

May 6, 2021 Jordan Ruimy

“Limbo,” which was stamped with Cannes 2020 label last Spring, is a wry observational dramedy about the refugee experience. Set on a fictional remote Scottish island, where a group of new arrivals await the results of their asylum claims, writer-director Ben Sharrock’s oddity of a film is the epitome of purposeful tedium.

Centering on Omar (Amir El-Masry), a young Syrian musician who carries his grandfather’s oud, a traditional middle eastern guitar, everywhere he goes, “Limbo” riskingly decides to depict the dreary monotony of this young man’s life, amidst the grey-skied locale. Omar has almost nothing to do in this film but to wait for an answer about his asylum request.

And so, there are a lot of shots here of Omar just waiting, solemnly wandering around town like a Lin invisible drifter, as he takes lessons in Western customs and talks on the phone to his parents in Turkey. The unattractive Scottish landscapes are here to emphasize the mundanity of Omar’s experience and, sure enough, we’re there to experience it with him.

Sharrock emphasizes his cinematic eye on stagnant framing, lots of it, to the point where he sucks out any of the artifice that usually comes in films tackling the “immigrant experience.” Of course, just because a movie character is stuck in limbo doesn't mean viewers should go through the same thing, but that’s what happens here and it’ll be what polarizes many.

Sharrock‘s attempts at dry deadpan humour work quite well — wait until you see two asylum-seeking men from Senegal arguing over an episode of “Friends”that lthey just saw in their tiny little shack of an apartment (“they were on a break!”). The film’s second half goes into darker, more serious territory, enforcing the themes in Sharrock’s film, but it all feels rather forced and falls flat at the most inopportune of times. Omar suffers from crushingly dull survival guilt throughout, but that doesn’t mean we have to as well.

SCORE: B-

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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