The recently posted 10.24.21 piece 2022 Could Be a Landmark Year went viral with conversation on both Facebook and Twitter. There were lots of suggestions and comments. I’ve added more deserving of inclusion, those include Kenneth Branagh’s “Bee-Gees,” Brandon Cronenberg‘s “Infinity Pool,” Nicole Holfcener’s “Beth and Don” Joshua Oppenheimer’s “The End,” Martin McDonagh’s “The Banshees Of Inseherin,” and Sarah Polley’s “Women Talking.”
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Quentin Tarantino doesn't usually put modern-day filmmakers on his level. That’s just how he is. David Fincher seems to be the one exception.
At the top, it's John Malkovich's to lose. He is a lock for Martin McDonagh's "Wild Horse Nine.” This would be his first lead nod. A late-career Malkovich comeback in a McDonagh movie? I'm all for it.
I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.
Under Lin, the quality of Netflix's movies got worse. The Lin era was defined by mid-budget, algorithm-friendly fare and a wobbly relationship with the filmmakers who actually gave Netflix its prestige.
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This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
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Nathan Fielder and Lance Oppenheim's "You Can See Everything" has been in theaters for, what, three days? And it's already the highest-rated feature film of all time on Letterboxd.