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The Rolling Stones Biopic Is Happening

The Rolling Stones are heading to the big screen after reportedly finalizing a biopic deal with American production company 101 Studios.

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Drew Goddard Won’t Move Forward With ‘Matrix 5’ Without the Wachowskis’ “Blessing” of the Script

Wachowski, who isn’t involved with Goddard’s “reboot,” confirms being “done” with The Matrix, but apparently Goddard still wants Lily and Lana’s blessing before continuing with his work.

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Jesse Eisenberg’s ‘The Debut’ Raved at Telluride - Julianne Moore for Best Actress?

The film has taken over the Telluride Film Festival. It’s a best picture contender. Julianne Moore is a best actress frontrunner. Paul Giamatti might win his first Oscar for as supporting actor.

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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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10 Buzz-Worthy Films That Might Show Up at Sundance 2022

November 22, 2021 Jordan Ruimy

The Sundance Film Festival is happening in a little less than 8 weeks from now. Purely spitballing the Park City-set event is almost near impossible given that it is a festival about discovery, which is what makes it such an exciting endeavour for cinephiles.

However, along with the always intriguing Next, Midnight Madness and Competition, there is the “Premieres” section, which has given us in recent years “Manchester By the Sea,” “Call Me By Your Name,” and “Boyhood,” among many others.

I have narrowed down a wish-list for this year’s edition. 15 or so titles that could premiere with considerable “buzz” attached to them. Then again, these films could hold out from the fest, potentially frightened by the virtual component, and instead go for for non-hybrids such as Berlin, Cannes or Venice.

I’m thinking these might potentially show up:

“Bones and All”
Director: Luca Guadagnino (“Call Me By Your Name”)

“Infinity Pool” 
Director: Brandon Cronenberg (“Possessor”)

“Second Chance”
Director: Ramin Bahrani (“99 Homes”)

“Sharp Stick”
Director: Lena Dunham (“Tiny Furniture”)

“The Son”
Director: Florian Zeller (“The Father”)

“The Whale”
Director: Darren Aronofsky (“The Wrestler”)

“Cha Cha Real Smooth”
Director: Cooper Raiff (“Shithouse”)

“Everything Everywhere All at Once”
Director: Kwan and Scheinert (“Swiss Army Man”)

“Call Jane”
Director: Phyllis Nagy (Writer of “Carol”)

“Dual”
Director: Riley Stearns (“The Art of Self-Defense”)

The Festival this year takes place between Thursday, January 20, through Tuesday, January 25, 2022. There will be six days of world premieres.

I’m sure COVID put a stop to a lot of indie productions that couldn’t afford mass testing their crew/actors, so the amount of quality films available to screen will again be similar to this past January’s lineup, maybe a little better. 

Some of the highlights from this past January’s “COVID lockdown” Sundance included “Passing,” “Flee,” “CODA,” “Summer of Soul,” and “Pleasure.”

Will this be a regular thing going forward? Sundance seems to be embracing the digital era. Also, worth pondering, if every film screen in Park City will be available digitally then A24 will be very nervous to bring their stuff to the festival - judging by the studio’s absence at most of the digital fests we’ve seen, they seem to absolutely want their films screened in a theatre.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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