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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘In the Same Breath': Infuriating Doc Tackles China's COVID-19 Coverup [Sundance]

January 29, 2021 Jordan Ruimy

Nanfu Wang follow-up to her 'One Child Nation' is an HBO documentary titled ”In the Same Breath”, it deals with the Chinese Communist Party coverup of COVID-19 during the early stages of the outbreak. The first half of Wang's film, its stronger section, recaps the chaos that gripped Wuhan at the start of the outbreak in early 2020. The second half focuses more on the arrival of the virus in the U.S., and reaction from government, media, and the CDC to make us believe the virus was nothing more than a bad flu. Wang even inserts a clip of Anthony Fauci, early on during the pandemic’s infancy, stating that it was nothing more than a flu and that masks were not necessary. That hasn’t aged well and someone will have to eventually ask the NIAID director about it.

Wang’s doc was made from an immeasurably well-informed point of view, Wang is a dual citizen of both the U.S. and China. Through her vast wealth of connections in the mainland, she paints a none-too-pleasant portrait of the CCP and its leader President Xi Jiping. She uses archival sound-bytes and clips from Chinese state media, hires local camera people to shoot secret footage in Wuhan hospitals and even manages to contact doctors from private clinics, including one near the seafood market identified as the possible point of origin for the virus. The cumulative assault of information results in a damning indictment of an authoritarian coverup, starting with the January 2nd announcement by the CCP, via a news bulletin, about Wuhan police punishing eight people for spreading online rumors of an unknown pneumonia.

The Chinese government's withholding of information, downplaying the threat and saying there was no risk of human-to-human transmission, despite hospital workers stating the contrary, was enough of a domino effect to thrust the entire world into virus-infected chaos. One would have liked to have seen this particular topic more wittingly dissected by Wang, but, instead, in the film’s flawed second half she turns her eye to U.S. botching of the virus, casting an unfair parallel between China’s evil coverup and American institutions themselves embarking on their own downplaying of COVID-19.

Wang’s film is messy, but passionate, not really able to find coherence amidst the madness of its subject matter. Due to the CCP’s refusal for total transparency, do you blame it for that? We still don’t know the full story and this means a more essential doc will eventually come to be released in the next few years as more info continues to come to light.

The official death toll in China currently sits at 4,636, a total farce of a stat as related to the anecdotal evidence gathered by Wang at funeral homes and hospitals that leads the viewer to the obvious conclusion that the final count was probably 10-20x more than that. Ofnote; many of the talking heads Wang interviews in this insightfully brave doc either, soon after, died or completely disappeared, probably victims of a totalitarian regime that watches your every move and punishes wrongthink.

SCORE: B/B+

← ‘One For the Road': Bland and Overtly Stylish Thai Road Trip [Sundance]‘Flee': Animated Immigrant Story Strikes Familiar Notes [Sundance] →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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