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Chris Rock Says Daniel Kaluuya Was “Kind of Retired” Before ‘Misty Green’ Comeback: “I Had to Beg Him”

Daniel Kaluuya took a sabbatical from acting back in 2022. There have been many theories as to why, but the important thing is he’s finally back, starring in this fall’s Chris Rock-directed “Misty Green.”

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‘Bunker’ Is a Paranoid Thriller, Marriage Drama, and Tech-Bro Apocalypse Movie All at Once [Venice]

Zeller’s feature debut, “The Father,” was an acclaimed and Oscar-winning film. Many believe he struck out with his sophomore effort, 2022’s critically maligned “The Son.” This is another miss.

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‘Practical Magic 2’ Is Tanking With Critics — 32% on Rotten Tomatoes

No surprise, “Practical Magic 2” is not doing well with critics. We all saw it coming. The first was also hammered with bad reviews. The only reason we’re getting a sequel is due to its cult base and ‘90s nostalgia.

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M. Night Shyamalan’s ‘Remain’ Teaser: Jake Gyllenhaal Stars in Hitchcockian Romance

A two-minute teaser has been released, and it looks intriguing and beautiful; Shyamalan is working with a new DP on this one, Adolpho Veloso—who shot the acclaimed “Train Dreams.”

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‘Artificial’ Trailer, Sets Christmas 2026 Theatrical Release

Here’s the teaser for Luca Guadagnino’s “Artificial,” which Neon has officially dated for a December 25, 2026 release. I’ve also posted some first look images below.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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2004's The Punisher' is The Marvel Canon's Underrated Gem

January 14, 2021 Jordan Ruimy

The 1989 adaptation of Marvel's "The Punisher" was a cheesy, action-packed, B-movie starring the usually ultra-blonde Dolph Lundgren in dyed pitch black hair. It wasn't good. It didn't nail the spirit of the comic book and was badly cast. The 2004 version, on the other hand, slyly directed by Jonathan Henseligh, is an under-appreciated gem from the Marvel cannon. It's a film that is neither cliched nor plays it safe, an intense ride from beginning to end. The fact that this film came out before the start of MCU, 2008's "Iron Man" probably the starting point, made it take risks and go into directions that would have otherwise never been possible post-2008.

The film plays like a Greek tragedy, it's a mix of human drama, violent action and even has glimmers of dark comedy around its edges. The first half-hour of the movie – which sets up the events which are to follow – is the Greek tragedy, powerfully realized as our main protagonist's family is cruelly slaughtered on-screen. The set-up gets your blood boiling the revenge tale that is about to happen. Its a vigilante thriller, with violent imagery that puts Deadpool's R-rated shenanigans to shame. What this film has that many of the MCU films don't is touching gravitas, you feel for Frank Castle. Jane is outstanding in the role, not only massively muscular, but also a quality actor that has been severely underused in his career.

For the story to work the bad guys need to be three-dimensional and Will Patton and John Travolta, both cast as the sadistic baddies, benefit from their overacting chops to construct antagonists that are as despicable as they are humane. Henseligh directs the action scenes in ways that the surroundings breathe. There's no relentless cutting, nor is there any reason to make them too stylized, this is old-school 1970's maverick filmmaking. A can't miss sequence is when Castle fights a hired Russian assassin in one of the most brutal, exciting and visceral fights I have ever seen. Think "Death Wish" or "Dirty Harry" and you'll get a feel of what it's like watching "The Punisher" at its punchiest.

Reviews were much maligned when The Punisher came out in 2004, but, in retrospect, they were wrong. Times change and, after a hundred or so comic book adaptations, Jonathan Hensleigh's vision of what a comic book movie should be like has aged like fine wine. Maybe it's time for more people to give this harrowing adaptation a second look because, if anything, its relevance lies in exposing the darkness of the human heart.

← ‘One Night in Miami’: Relevant Depiction of Black American Legends Fails to Transcend Its Stage Origins [Review]Noah Baumbach Adapting Novel ‘White Noise' with Adam Driver and Greta Gerwig →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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