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Gina Prince-Bythewood’s ‘Children of Blood and Bone’ in Trouble? Writer, and Producer Tomi Adeyemi Distances Herself
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Christopher Nolan Told Universal It Was ‘R’ Rated or No Deal for ‘The Odyssey’: “We Wanted to Make the Most Intense Version”
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James Gunn Took Over ‘Supergirl’ Post-Production After “Creative Differences” With Craig Gillespie, Competing Cuts Tested
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Luca Guadagnino’s ‘Artificial’ Was Reportedly Over Budget, Hit by Reshoots and “Disasters” Before Amazon MGM Exit
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Ridley Scott Plans ‘Treasure Island’ Remake, WWI Drama and Western After ‘The Dog Stars’
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Martin Scorsese Signs Multi-Year Directing Deal With Apple

August 11, 2020 Jordan Ruimy

Apple has locked up director Martin Scorsese for a multi-year deal, to produce and direct new films for Apple [via Deadline]. This, of course, comes on the heels of Apple buying Scorsese’s upcoming “Killers of the Flower Moon,” in a massive deal that was reportedly worth more than $160 million.

Supposedly, the budget on ‘Killers’ had inflated to a worrisome $225M and started to get Paramount a little too nervous about its commercial prospects by shelling out money for such a risky endeavor. The troubled post-production on the film resulted in Scorsese reaching out to countless studios including Netflix, Universal, and MGM. Ultimately, AppleTV+ won out the rights.

Scorsese’s last movie (“The Irishman”) was a Netflix original with an equally expensive $173 million budget. However, ‘Killers’ is said to cost $50 million more than that figure and forced Paramount’s hand to partner with another distributor on the film. Has Scorsese been so spoiled by the creative and budgetary freedoms given to him by Netflix on “The Irishman” that he’d rather bypass all the back-and-forth artistic clashing involved with a big studio in favor of the total creative carte blanche a streamer gives? That’s what looks to be the case, it seems as though Scorsese has learned to stop worrying about theatrical and love streaming.

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