• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_9248.jpeg
‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

Read more →
IMG_9280.jpeg
John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

Read more →
IMG_9279.jpeg
‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

Read more →
IMG_9277.jpeg
Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

Read more →
IMG_9273.jpeg
Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

TIFF 2020 Lineup Announced

July 30, 2020 Jordan Ruimy

The Toronto International Film Festival announced its 2020 lineup this morning. Nothing spectacular. Most stuff from Cannes/Venice/Sundance, as expected. Regardless, this is probably going to be the best film festival lineup we’re going to be getting this year.

Only 9 Cannes-labeled titles were chosen this year: “Falling,” “Ammonite,” “Another Round,” “Ete 85,” “Memory House,” “True Mothers,” “Limbo,” “Spring Blossom,” and “Beginning.” I would put all nine of these titles high up on your must-watch list.

The organizers of the fest already commented on today’s reveal, stating they expect a hybrid festival ready for public consumption, a mix of digital and a physical component. Supposedly, they’ll be relying on drive-ins and outdoor screenings and “some” indoor screenings. Meanwhile, the digital component will be the driving force of the fest this year, not just for the public, but for the industry as well.

I will try to watch every single one of these movies, although I have already seen 4 of them, but I have also highlighted the ones that are a priority for me during the festival.

2020 lineup:

“180 Degree Rule,” ​Farnoosh Samadi, Iran
“76 Days,” H​ao Wu​, Anonymous, ​Weixi Chen​, USA
“Ammonite​,” Francis Lee​, United Kingdom
“Another Round​ (​Druk),”​ Thomas Vinterberg, Denmark
“Bandar Band,” M​anijeh Hekmat, ​Iran/Germany
“Beans​,” ​Tracey Deer, Canada
“Beginning ​(Dasatskisi)​,” ​Dea Kulumbegashvili​, Georgia/France
“The Best is Yet to Come (Bu zhi bu xiu),” ​Wang Jing, China
“Bruised​,” Halle Berry, USA
“City Hall​,” Frederick Wiseman, USA
“Concrete Cowboy,”​ Ricky Staub, USA
“David Byrne’s American Utopia,” ​Spike Lee, USA Opening Night Film
“The Disciple,” Chaitanya Tamhane, India
“Enemies of the State,” ​S​onia Kennebeck​​, USA
“Falling,” Viggo Mortensen, Canada/United Kingdom
“The Father​,” Florian Zeller, United Kingdom/France
“Fauna​,” N​icolás Pereda​, Mexico/Canada
“Fireball: Visitors from Darker Worlds,” W​erner Herzog, C​live Oppenheimer​, United Kingdom/USA “Gazamonamour,” ​​Tarzan Nasser, Arab Nasser, France/G​ermany/Portugal/Palestine/Qatar
“Get the Hell Out ​(​Taochulifayuan),” I​-Fan Wang, Taiwan
“Good Joe Bell,” Reinaldo Marcus Green, USA
“I Care A Lot,” J​ Blakeson, United Kingdom
“Inconvenient Indian,” M​ichelle Latimer, Canada
“The Inheritance,”​ Ephraim Asili, USA
“Lift Like a Girl (​​Ashya Captain),” ​​Mayye Zayed, E​gypt/Germany/Denmark
“Limbo,” Ben Sharrock, United Kingdom
“Memory House​ (​Casade Antiguidades)​,” João Paulo, Miranda Maria​, Brazil/France
“MLK/FBI​,” Sam Pollard, USA
“The New Corporation: An Unfortunately Necessary Sequel​,” ​Joel Bakan, Jennifer Abbott, Canada
“New Order​ (​Nuevo orden​),” Michel Franco​, Mexico
“Night of the Kings​ (L​a Nuit des rois​),” P​hilippe Lacôte, C​ôte d’Ivoire/France/Canada/Senegal
“Nomadland,” ​C​hloé Zhao​, USA
“No Ordinary Man,” ​A​isling Chin-Yee, Chase Joynt​, Canada
“Notturno,” G​ianfranco Rosi​, Italy/France/Germany
“One Night in Miami,” R​egina King, USA
“Penguin Bloom​,” ​Glendyn Ivin, Australia/USA
“Pieces of a Woman,” K​ornél Mundruczó​, USA/Canada/Hungary
“Preparations to Be Together For an Unknown Period of Time​ (F​elkészülés meghatározatlan ideig tartó együttlétre​),” Lili Horvát​, Hungary
“Quo Vadis, Aïda?,” J​asmila Žbanic, B​osnia and Herzegovina/N​orway/The Netherlands/Austria/Romania/France/Germany/Poland/Turkey
“Shadow In The Cloud​,” R​oseanne Liang​, USA/New Zealand
“Shiva Baby,”​ Emma Seligman​, USA/Canada
“Spring Blossom​,” Suzanne Lindon, France
“A Suitable Boy,”​ ​Mira Nair​, United Kingdom/India Closing Night Presentation
“Summer of 85​ ​(​Été​ 85​),” ​François Ozon​, France
“The Third Day,”​ Felix Barrett, Dennis Kelly, United Kingdom
“Trickster,” Michelle Latimer, Canada
“True Mothers ​(​Asagakuru),”​ Naomi Kawase, Japan
“Under the Open Sky ​(S​ubarashikisekai)​,” ​Miwa Nishikawa​, Japan
“Violation​,” M​adeleine Sims-Fewer, Dusty Mancinelli, Canada
“Wildfire,” ​Cathy Brady​, United Kingdom/Ireland

The 45th Toronto International Film Festival runs September 10–19, 2020.

← First image from Disney & Pixar’s all-new film ‘Luca'Source: ‘Tenet' is Definitely Being Released in Europe and Canada on August 26th →

FOLLOW US!

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_8823.webp
Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

Read more →
IMG_8734.jpeg
‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

Read more →
IMG_8707.jpeg
What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

Read more →
IMG_8721.jpeg
Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026