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‘Alpha Gang’ First Look: Cate Blanchett Leads the Zellners’ Bizarre 1950s Alien Biker Gang

Alongside Blanchett, the film features a wildly eclectic ensemble including Dave Bautista, Lily-Rose Depp, Riley Keough, Léa Seydoux, Kelvin Harrison Jr. and Chris Pine

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‘Dungeons & Dragons 2’ Is Being Shopped to Other Studios After Paramount Passed on the Sequel

The film grossed only $205M against a $150M budget, losing Paramount a significant amount of money. It did, however, gain a decent following on streaming, but the financial risk for a sequel is ever-present.

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Did Danny Boyle’s ‘Ink’ Use AI to Recreate Margaret Thatcher?

Thatcher shows up on-screen for, at most, 10 seconds. She looks remarkably like Thatcher and comes off as almost too polished, non-human like. Further clues are pointing at AI.

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Vin Diesel Now Teasing He Might Direct ‘Fast Forever’

Ah, yes — the neverending saga of the next ‘Fast & Furious’ movie, which has been plagued by delays, and Universal demanding Vin Diesel cut the budget by almost $150M.

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John Malkovich Gives the Performance of His Career in Martin McDonagh’s ‘Wild Horse Nine’ [Venice]

Malkovich, a two-time Oscar nominee, fought back tears while the audience cheered him, which has become a first-stop tradition to kick-start an Oscar campaign — tears need to be shed!

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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The Major Fall Festivals Pen A Letter: “The Art Form We Love Is In Crisis”

July 8, 2020 Jordan Ruimy

The COVID-19 pandemic has left the 2020 film festival schedule in total chaos. We haven’t really had a legitimate film festival experience since January/February when Sundance and Berlin were screening films. Basically every festival from March until now has been either canceled or drastically altered with digital screenings.

What does that say about how the upcoming fall festivals will look like? We just don’t know. There have been hints at the possibility of limited physical screenings happening for TIFF and Venice, with the rest of the fest being digitally screened in an online platform. Regardless, it’s going to be a very different experience for cinephiles come September

Today, in an open letter signed by leaders at the Toronto International Film Festival, New York Film Festival, Venice Film Festival, and Telluride Film Festival, the leaders of each event have vowed to help each other out, drop the competitive nature and collaborate together to create a cinematic union.

“The art form we love is in crisis,” the letter reads. “Our own organizations have seen unprecedented challenges to our work and our financial security. The pandemic caught each of us as we were preparing for the biggest event of our year in the fall of 2020. We knew we had to adapt. We decided to collaborate as we never have before.”

The letter adds, “This year, we’ve moved away from competing with our colleagues at autumn festivals and commit instead to collaboration. We are sharing ideas and information. We are offering our festivals as a united platform for the best cinema we can find. We’re here to serve the filmmakers, audiences, journalists, and industry members who keep the film ecosystem thriving. We need to do that together.”

I am not ready to speculate on how film festivals will look like in the coming weeks, but it seems as though they will happen, in one form or another, regardless of the pandemic, and for that, I am very thankful. As for what films will screen at these festivals, that’s even more unpredictable. We already know that Netflix is skipping the fall fests, but we don’t really have an idea of what the other studios will decide to do with the likes of Wes Anderson’s “The French Dispatch,” Chloe Zhao’s “Nomadland” and Sofia Coppola’s “On the Rocks.” I have included two of those three titles below, these 16 films constitute the big titles that I believe could show up at Telluride and TIFF.

Ammonite, (Francis Lee)
Another Round, (Thomas Vinterberg)
Good Joe Bell, (Reinaldo Marcus Green)
Spring Blossom (Suzanne Lindon)
True Mothers (Naomi Kawase)
On The Rocks (Sofia Coppola)
Nomadland (Chloe Zhao)
Mangrove (Steve McQueen)
Lover's Rock (Steve McQueen)
There Is No Evil (Mohammad Rasoulof)
Undine (Christian Petzoldt)
Minari (Lee Isaac Chung)
Promising Young Woman (Emerald Fennell)
Soul (Pete Docter)
Deep Water (Adrian Lyne)
Respect (Liesl Tommy)

The venues won’t be crowded and it looks like TIFF will be playing it very safe with this edition, downgrading their lineup to the just 1/6 of the usual amount of films. I expect a combination of Sundance, Berlin, and Cannes titles along with very few world premieres.

← Joel Schumacher’s 170-Minute Director's Cut Of ‘Batman Forever’ Exists; Does Anyone Care?‘Bloody Nose, Empty Pockets’: One of the Best Docs of the Year Tackles The Final Days of A Vegas Dive Bar [Capsule] →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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