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Paul Schrader Turned to AI for ‘Three Guns at Dawn’ After Black Actors Rejected Its Criminal Characters: “We’re Making Them!”

For Schrader, AI solves the curious practical filmmaking problem he had. How about just creating Black people? No casting calls, no agents, no actors turning down the roles.

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Zach Cregger Distances Himself From ‘Gladys’ Prequel, Not Writing or Directing, Only Producing

Originally, Cregger was reported to be directing “Gladys.” He then dropped out. He was also supposed to co-write the script with Zach Shields, and apparently now he isn’t.

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Telluride’s “Secret” A24 Movie Is Nathan Fielder’s Elizabeth Holmes Doc

The mystery surrounding Telluride’s secret A24 screening now appears to have been solved. Did anybody guess Nathan Fielder and Elizabeth Holmes?

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Lee Chang-dong’s ‘Possible Love’ Starts Quietly, Builds Into Something Colossal and Transcendent [Venice]

The film runs 164 minutes. What a stunner this turns out to be. “Possible Love” keeps getting stranger and deeper the longer it goes. And by the end, the film has moved somewhere almost transcendent.

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Telluride to Screen “Surprise” A24 Movie Tonight! 174-Minute Runtime, Tight Security — No Phones Allowed

Some major guessing games are currently going on regarding Telluride’s surprise movie, playing later today at 6 PM MT, which has sparked some fun theories among industry insiders and journalists.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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AMC/Universal Deal is a Cataclysmic Event for the Movie Industry

July 29, 2020 Jordan Ruimy

This is a pretty big development because of how it changes the industry indefinitely. It took me some time to write about today’s AMC/Universal deal because I needed a few more hours to process it and, folks, there is no doubt in my mind that what was announced this afternoon is akin to a damn-near cataclysmic event for the industry as a whole.

AMC has struck a historic deal with Universal, shortening the number of days their films need to run in theaters before going digital on VOD. Considering how backloaded profits for theaters are, this could effectively kill them if it becomes standard practice.

The gist of the deal has AMC Theaters agreeing to show Universal Pictures films on the big screen by granting Universal a smaller theatrical window so it could make its titles available on-demand sooner. As part of the deal, Universal and Focus Features must play movies in cinemas for at least three weekends, or 17 days, before releasing those films on premium video on-demand platforms. Previously, theaters would have the exclusive rights to films for 90 days.

A key component from this deal that not many are talking about is that AMC will also share in the revenue from video-on-demand sales. That means the other chains will be left in the dark and suffer the consequences of this deal by not being able to show Universal movies, let alone profit off of them.

This to me sounds like AMC pulling the dead man’s switch on the entire industry. They know that, due to the current pandemic, their business model has effectively changed permanently, no matter how this all shakes out, and there’s also probably more truth to the story about their financial problems than they care to admit at this point. The way I see it is that they are desperately taking the deal that might buy their shareholders another year or two, even though in the long run it’s going to be the death of the entire business model and the entire industry along with it. This is all pure speculation on my part, but it just takes common sense to reasonably think of this scenario as highly plausible and I may very well be proven right in the coming months.

This could also, most certainly, spell the end of the road for smaller chains that don’t have nearly have the negotiating power that AMC has. It’s really just bad for theaters in general. The destruction of the theatrical experience, at least in the shape that we know it as right now, was slowly crumbling apart before the COVID-19 pandemic happened, but these last 5 months have accelerated that inevitable process ten-fold. We have officially entered a new era of moviegoing.

← Bong Joon-Ho Loves Ari Aster's ‘Hereditary' and ‘Midsommar'Sofia Coppola's ‘On the Rocks' Declined Appearance at Venice →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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