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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Comeback King’: Glen Powell to Star in Judd Apatow’s New Comedy, First Poster Revealed as Filming Begins

April 6, 2026 Jordan Ruimy

UPDATE: Ahead of CinemaCon next week, Universal has officially revealed that its upcoming comedy, directed by Judd Apatow and starring Glen Powell, will be titled “The Comeback King.” At the same time, the film has officially begun production and unveiled its first poster.

EARLIER: Last year, a Puck report highlighted Judd Apatow’s struggles to get several of his passion projects approved by major studios. His most recent scripted feature, the $50 million Netflix flop “The Bubble,” marked a low point. Since then, he’s dabbled in documentaries and released an autobiography, but his main ambition has remained a return to directing.

Now, that opportunity appears to be taking shape. Apatow’s new comedy, co-written with and starring Glen Powell, is expected to begin production early next month. Backed by Universal, the film centers on a country-western star in decline. Local reports have referred to the project as “Comeback King,” and it will also feature Cristin Milioti, Madelyn Cline and Li Jin Hao. Both Apatow and Powell have confirmed the project as their next endeavor.

Powell recently told The Guardian it’s his “next movie,” and Apatow told KCRW the same thing. It’s most likely a mid-budget affair aiming to follow in the footsteps of recent studio comedies that have found success in that range, such as “No Hard Feelings” and “Naked Gun.” If successful, it could contribute to a broader revival of theatrical comedy.

In the 2000s, Apatow was a dominant force in comedy, shaping the genre through productions like “Superbad,” “Pineapple Express,” and “Bridesmaids,” as well as HBO’s “Girls.” As a director, he also proved his skill with sharp, adult-oriented hits like “The 40-Year-Old Virgin” and “Knocked Up,” followed by films including “Funny People,” “This Is 40,” “Trainwreck,” and “The King of Staten Island.”

In recent years, however, his influence has waned. His signature style—often centered on male-driven, bro-heavy humor—has not resonated as strongly in the post-#MeToo landscape. Consequently, his more recent directorial efforts have been seen as safe and uninspired, culminating in the poorly received “The Bubble” in 2022.

As for Powell, he’s coming off “The Running Man,” and “How to Make A Killing” — both failed to ignite at the box office — and he also stars in JJ Abrams’ “The Great Beyond” which is set for fall 2026 release.

← Asghar Farhadi’s ‘Parallel Tales’ Inspired by Krystof Kieślowski's ‘Dekalog VI’Daniel Goldhaber’s ‘Faces of Death’ Sparks Love-Hate Reviews Ahead of Release →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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