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Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

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Ridley Scott Claims ‘Treasure Island’ Will Be the Most Expensive Movie of His Career

Scott says it could be “the highest budget film” of his career” before accounting for tax incentives.” If Scott isn’t bullsh*tting here, and lord knows he might be, that would put the cost in the $200M+ range.

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Brady Corbet’s ‘The Origin of the World,’ His ‘X-Rated’ 4-Hour Follow-Up to ‘The Brutalist,’ Begins Production in South Africa

Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”

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Mia Hansen-Løve’s ‘If Love Should Die’ is Finally Happening — Renate Reinsve Vicky Krieps, Johnny Flynn to Star

Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.

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Venice 2026: Koreeda’s ‘Look Back’ Disappoints, el-Toukhy’s ‘Woman Unknown’ Provokes, Moretti Surprises

Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Human Voice’: Pedro Almodóvar & Tilda Swinton Team Up For Pretentious Short Film [NYFF]

October 8, 2020 Jordan Ruimy

Sony Pictures Classics recently bought “The Human Voice,” an absolutely pretentious and uninvolving short film directed by the usually great Pedro Almodóvar and starring Tilda Swinton.

This was one of the more disappointing works of my fall festival season. I had great hopes for this 30-minute film, but, ultimately, the material rang too hollow and familiar for me to fully embrace its in-your-face nature. The film has Swinton playing a woman, depressed by the end of her relationship, and meandering along through a gamut of emotions while isolated in her bourgie apartment, which also happens to be a stage set. Throughout, she speaks to her ex-lover on the other end of the line, rambling on to no end.

The film is essentially one long over-directed monologue, but played as metaphysical theater, there isn’t really much room here for Almodovar to be creative or original, just very stagey. You can tell this was shot during quarantine as it plays like a film trying to defy obstacles throughout its minimalist proceedings. Of course, people are going to love this no matter what because, just on paper, this sounds like a deliciously rich and easy-to-digest proposition. On a more positive note, the costume and set design here is lovely — is it ever anything less than that when it comes to Almodovar? There are beautiful color schemes all over the apartment.

“The Human Voice” recently had its world premiere back in September at the Venice Film Festival. Since then, the film has played the New York Film Festival and will be at the BFI London Film Festival later this month. Sony Pictures Classics picked up the distribution rights for the short and will release it online soon.

You can watch the trailer below:

We are thrilled to announce that Almodovar’s first English-language short, THE HUMAN VOICE, starring Tilda Swinton will be released in cinemas on 7th November#Almodovar #TheHumanVoice #TildaSwinton pic.twitter.com/EUCovVV4AW

— Pathé UK (@patheuk) October 8, 2020
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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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