• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_0896.jpeg
‘You Can See Everything' Is Currently Letterboxd's Highest-Rated Film Ever, Beating ‘The Godfather,’ ‘12 Angry Men,’ ‘Seven Samurai’

Nathan Fielder and Lance Oppenheim's "You Can See Everything" has been in theaters for, what, three days? And it's already the highest-rated feature film of all time on Letterboxd.

Read more →
IMG_0890.jpeg
Quentin Tarantino Calls David Fincher “My Favorite Director, Aside From Myself"

Quentin Tarantino doesn't usually put modern-day filmmakers on his level. That’s just how he is. David Fincher seems to be the one exception.

Read more →
IMG_0886.jpeg
John Malkovich Is the Best Actor Frontrunner. Then It's Matt Damon, Andrew Scott, Ryan Gosling and… Tom Cruise?

At the top, it's John Malkovich's to lose. He is a lock for Martin McDonagh's "Wild Horse Nine.” This would be his first lead nod. A late-career Malkovich comeback in a McDonagh movie? I'm all for it.

Read more →
IMG_0883.jpeg
Tom Holland to Star in Drew Pearce's Thriller ‘Penthouse’ for Sony — and I'm Still Not Convinced He’s a Movie Star

I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.

Read more →
IMG_0880.jpeg
Netflix Fires Film Chief Dan Lin

Under Lin, the quality of Netflix's movies got worse. The Lin era was defined by mid-budget, algorithm-friendly fare and a wobbly relationship with the filmmakers who actually gave Netflix its prestige.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

Disney CEO Says Company Will Now Be Prioritizing Streaming Over Theatrical

October 13, 2020 Jordan Ruimy
Capture.PNG

These are trying times, my friends. The theatrical experience has been all, but DEAD since March. The COVID-19 pandemic has shut down the industry as a whole in favor of the digital and streaming distribution of films. Christopher Nolan tried to save the day by releasing “Tenet” in late August and, although it amassed a whopping $300 million outside the United States, domestically, Nolan’s film mightily struggled, barely amassing $40 million dollars as of this article going live. The positive domino-effect that Nolan so desperately wanted for cinema failed and now we are all left wondering if this is very much the end of movie theaters as we know it.

This sad state of affairs continued this afternoon when Disney CEO Bob Chapek announced that the Mouse House was no longer concentrating on its billion-dollar-making theatrical releases, but, instead, would heavily concentrate on Direct-to-Consumer services such as Disney+ [via THR].

“Given the incredible success of Disney+ and our plans to accelerate our direct-to-consumer business, we are strategically positioning our Company to more effectively support our growth strategy and increase shareholder value,” Chapek said. “Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it. Our creative teams will concentrate on what they do best — making world-class, franchise-based content — while our newly centralized global distribution team will focus on delivering and monetizing that content in the most optimal way across all platforms, including Disney+, Hulu, ESPN+ and the coming Star international streaming service.”

Disney has already axed theatrical releases for “Artemis Fowl,” “The New Mutants,” “Mulan” “Hamilton,” and “Soul” in favor of Disney+ debuts and it’s only going to be more pronounced in the weeks and months to come.

← Jussie Smollett Promoted and Set For Directorial Debut ‘B-Boy Blues’Anya Taylor-Joy Will Play Furiosa in George Miller’s ‘Mad Max’ Prequel →

FOLLOW US!

Newsletter Block
This newsletter signup form needs a storage option. Edit the block and enter a storage location via the Storage tab.

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_9738.jpeg
CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

Read more →
IMG_9642.jpeg
Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

Read more →
IMG_9603.jpeg
Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

Read more →
IMG_9478.jpeg
Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026