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Jonah Hill's ‘Cut Off' Heads Into Reshoots After Being Deemed “Unwatchable” and “Unreleasable”

Hill, coming off the miserable reviews for this year's “Outcome,” now has yet another film destined for a long delay. This time, it's “Cut Off,” his third directorial effort, which was set to hit theaters this July

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Adam Driver Is in ‘Heat 2,’ Stephen Graham Confirms

Driver will play Otis Wardell, the central villain, psychopathic criminal who operates primarily in Chicago. The character’s presence ties together the prequel and sequel halves of the book’s structure.

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‘Blade’ Director on What Marvel Tells Directors: “This Is a Marvel Movie Directed by a Person”

According to Tariq, Marvel is upfront about it. They tell you, politely, that what you're making is "a Marvel film directed by a person .. They crop your shots. They change things.”

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Kristen Stewart Reunites with Olivier Assayas for ‘Spiritual World'; Vicky Krieps, Riley Keough & Wagner Moura Also Aboard

Stewart and Assayas previously collaborated on 2014's "Clouds of Sils Maria," which won her a César, and 2016's "Personal Shopper," which earned Assayas Best Director at Cannes.

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Robert Eggers Wants a “Break" From Horror, So He's Making ‘Romeo & Juliet'

At a post-trailer Q&A for “Werwulf,” which opens Christmas Day, Eggers explained why his next movie is Shakespeare’s teen tragedy rather than another gloomy medieval tale.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: ‘The Rise of Skywalker’ Earns $33.7M in Third Weekend, To Nab $1 Billion Globally Next Week

January 5, 2020 Theo Fisher

Disney continues to shatter records as we enter the new decade, whilst Sony’s newest offering “The Grudge”, just managed to survive its miserable reviews. 

Another week and another place at number one for Disney’s Saga ending “Star Wars: The Rise of Skywalker”. Taking $33.7M domestically and $50.5M internationally, the JJ Abrams-directed end to the Skywalker saga now sits at $918.8M worldwide. Next week will see it break the billion-dollar barrier as it becomes Disney’s seventh 2019 film to reach that landmark, all whilst continuing to hunt down the $1.3B of 2017’s “The Last Jedi”. 

In second yet again is Sony’s steady gathering sequel “Jumanji: The Next Level”. Mustering a healthy $26.5M domestically and a further $42.4M worldwide (for a global tally of $610M) the film’s long lifespan is becoming increasingly similar to the 2017 original. Although that film’s $900M end tally may just be out of reach. 

In third, and in its second weekend of release is Sony and Greta Gerwig’s “Little Women”. The universally acclaimed adaptation managed $13.37M, pushing its domestic total past the $60M mark. Meanwhile, the films near $21M overseas haul means the film will hope to surpass the $100M worldwide landmark this time next week. 

One of the biggest chunks of news this week comes in the form of Disney’s “Frozen 2”. Which, having gathered another $11.29M domestic and $42.4M internationally, meant the film hit another landmark for Disney, becoming the highest-grossing animated film of all time, surpassing the original film’s tally by nearly $40M to reach the massive haul of $1.325B. 

The weeks only new release came in the form of Sony’s “The Grudge”, which despite receiving scathing reviews (37 Metascore) still managed $11.3M for the weekend, however, expect a huge drop off next week. Internationally the film brought home nearly $6M from around 30 markets. 

Elsewhere, Lionsgate and Rian Johnson’s stupendous “Knives Out” continued to make money even six weeks after its wide release. And with a domestic total of nearly $120M, and a global tally of over $250M, talk of a ‘sequel’ starring Daniel Craig’s detective ‘Benoit Blanc’ has been rife. 

Next weekend will see Universal attempt to make a big splash with the wide release of major Oscar contender “1917” directed by Sam Mendes. Whilst Warner Bros will finally release “Just Mercy” in over 2000 locations. The film stars Michael B Jordan and Jamie Foxx and tackles the important subject matter of false imprisonment and police discrimination. Two must sees.

1. Star Wars: The Rise of Skywalker (Disney) $33,739,00
Cumulative: $450,796,000

2. Jumanji: The Next Level (Sony) $26,500,000
Cumulative: $236,206,000

3. Little Women (Sony) $13,575,000
Cumulative: $60,023,000

4. The Grudge (Sony) $11,300,000
Cumulative: $11,300,000

5. Frozen II (Disney) $11,291,000
Cumulative: $449,876,000

6. Spies in Disguise (20th Century Fox) $10,084,000
Cumulative: $46,730,000

7. Knives Out (Lionsgate) $9,025,000
Cumulative: $130,257,000

8. Uncut Gems (A24) $7,820,000
Cumulative: $37,825,000

9. Bombshell (Lionsngate) $4,075,000
Cumulative: $24,569,000

10. Cats (Universal) $2,600,000
Cumulative: $21,179,000

← Golden Globes: ‘1917’ Wins Top Prize, Now Oscar Frontrunner?2020 Golden Globes: Predictions →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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