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Telluride’s “Secret” A24 Movie Is Reportedly Nathan Fielder’s Elizabeth Holmes Hybrid Doc

The mystery surrounding Telluride’s secret A24 screening now appears to have been solved. Did anybody guess Nathan Fielder and Elisabeth Holmes?

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Zach Cregger Distances Himself From ‘Gladys’ Prequel, Not Writing or Directing, Only Producing

Originally, Cregger was reported to be directing “Gladys.” He then dropped out. He was also supposed to co-write the script with Zach Shields, and apparently now he isn’t.

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Lee Chang-dong’s ‘Possible Love’ Starts Quietly, Builds Into Something Colossal and Transcendent [Venice]

The film runs 164 minutes. What a stunner this turns out to be. “Possible Love” keeps getting stranger and deeper the longer it goes. And by the end, the film has moved somewhere almost transcendent.

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Telluride to Screen “Surprise” A24 Movie Tonight! 174-Minute Runtime, Tight Security — No Phones Allowed

Some major guessing games are currently going on regarding Telluride’s surprise movie, playing later today at 6 PM MT, which has sparked some fun theories among industry insiders and journalists.

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Kane Parsons to Direct ‘Backrooms 2’ for A24 — Set to be His Next Film

An official announcement is “imminent.” “Backrooms 2” will be Parsons’ next film — he’s not jumping into anything else. Might as well strike while the iron is still hot, I guess.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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#BaftasSoWhite Trending, Is #OscarsSoWhite Next?

January 7, 2020 Jordan Ruimy

#BAFTAsSoWhite was trending on Twitter after the all-white acting nominations were announced earlier this morning.

Even BAFTA boss, Amanda Berry, had to give in and admit that she was 'very disappointed' over the lack of diversity following Tuesday morning's announcement where not a single actor of colour was honoured in the four major acting categories. 

Lupita Nyong’o’s snub for “Us” was a major point of concern for the social justice warriors, who took aim at Margot Robbie for having the chutzpah to be nominated twice in the Supporting Actress category.

One wrote: 'I love Margot Robbie and she deserves a nomination. But giving 2 nods to her when Bafta really needs some damn diversity is such a bad move. Another wrote: 'The #EEBAFTAs are so white that Margot Robbie and Scarlett Johansson are both nominated twice. A third typed: 'So white, they nominated the same white woman twice.' 

Other persons-of-color snubbed by BAFTA include Oscar hopefuls Jennifer Lopez in “Hustlers“ (average performance), Cynthia Erivo for “Harriet” (average performance), and Awkwafina for “The Farewell” (good performance).

One fan wrote on Twitter: ’Not a SINGLE person of colour was nominated at the BAFTA’s this year. They could have nominated Lupita for US, Jennifer Lopez for Hustlers, Cynthia for Harriet, or any one of the Parasite actors, they didn’t…”  Another wrote: “Well BAFTA nominated no people of color this year… No Erivo, Nyong’o, Awkwafina, Lopez, Shuzhen, Murphy, or any Parasite actors… disappointed… #BAFTASoWhite…” Another person wrote tongue-in-cheekily, “’Here are the all white nominees for Best Actor, Best Actor in a Supporting Role, Best Actress and Best Actress in a Supporting Role.”  

This controversy could very much leak through this coming February’s Oscars, which has a lot of BAFTA voters within its 6000+ voting body. I’d be shocked, at this point, if Lopez and Nyong’o don’t get nominated in their respective categories, but alas, crazier things have happened over the years when it comes Oscar snubs. Much like last year, when think-pieces emerged about how foul and misguided eventual Best Picture winner “Green Book” was, this pushback on the lack of minorities and female directors nominated could most definitely backfire on the ones currently complaining about the lack of inclusivity. Voters don’t want to be told how to think when it comes to choosing their Oscar picks — it’s a primal human instinct, and being bullied into submissive voting is not the way to go. That’s why Donald Trump won in 2016, that’s why Green Book won Best Picture in 2019 and that is, quite possibly, why people of colour may not triumph in the acting categories this year.

Of note, talking about mob mentality, Greta Gerwig and “Little Women” fans caused another backlash this morning when they didn’t see their beloved Ms. Gerwig get nominated in the Best Director category for the critically-acclaimed “Little Women.” Their shtick is starting to get old; don’t they realize that the more they push their agenda in voters’ faces, the less likely Gerwig and her film will be compensated?

←  ‘The Gentlemen' Plays Like Guy Ritchie's Greatest Hits [Review]PGA Announces Nominees, Shapes Best Picture Race →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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