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Ken Russell's ‘The Devils' Extends Theatrical Run Indefinitely (!) After $3.3M Box Office Surprise

Nobody expected a 55-year-old NC-17 movie to be one of the surprise box office stories of the fall. Yet here we are, and this absolutely puts a smile on my face.

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‘Sunrise on the Reaping’ First Reactions Are Very Positive

Of course, we all know the rule: take these reactions with a grain of salt rather than treating them as gospel. Still, I will say that the film tested like gangbusters earlier this year, and Lionsgate clearly has confidence.

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‘Compassionate Release': Christopher McQuarrie's First Non-Tom Cruise Film in 25 Years Stars Denzel Washington, Taps ‘In Bruges' DP Eigil Bryld

Bryld shot "In Bruges," "The Holdovers" and "House of Cards." That seems like the right fit for what is a smaller, character-driven crime story, and a change of pace for McQuarrie after years of stunt-heavy theatrics.

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James Gunn Says DCU Batman Casting “Isn't Very Far Off” — Do We Really Need Two Batmen?

Right now, the cleanest path is to let Reeves finish his trilogy and bring in the new guy once the dust has settled. Gunn clearly hasn’t gotten the memo.

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Taylor Russell Joins Brady Corbet's ‘The Origin of the World'

Taylor Russell has joined Brady Corbet's "The Origin of the World." She is now part of an already impressive cast which includes Cate Blanchett, Michael Fassbender, Selena Gomez, Lily McInerny and Joe Alwyn.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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TIFF's Artistic Director Says ‘Joker' is “A Cinematic Achievement On A High Level”

August 5, 2019 Jordan Ruimy

Newly promoted TIFF Artistic Director Cameron Bailey has built up a little more buzz for Joaquin Phoenix's 'Joker,' Michael B. Jordan's 'Just Mercy' and Renee Zellweger as 'Judy' by speaking with the Toronto Sun. The interview is a fun read and, obviously, even if there is a movie Bailey does not like from this year’s lineup, there is no reason to utter anything negative about it. Regardless, his love for some of these movies does seem genuine.

First and foremost, Bailey tackles the hottest ticket at TIFF this year which is “Jojo Rabbit,” Taika Waititi’s anti-fascist satire:

”Taika Waititi’s “Jojo Rabbit” is one that really jumped out at us. He’s a brilliant filmmaker and he’s back in the Marvel Cinematic Universe with a new Thor film, but he’s an independent thinker as a filmmaker. We’ve seen him do different films over the years, and this is a bold, daring satire. It’s like nothing we’ve seen and we’re thrilled for that one for sure.”

A few brief notes on “Harriet” and “Radioactive”:

”But, in addition to that, there are a strong number of films from women directors — Kasi Lemmons’ Harriet Tubman biopic Harriet is one; and our closing night film Radioactive, which stars Rosamund Pike as Nobel Prize-winning scientist Marie Curie, is another. Hustlers with Jennifer Lopez is another anticipated film and we’re glad to be premiering that as well.”

The big news from this interview are the glowing words Bailey has for the Todd Phillips/Joaquin Phoenix ‘Joker’ movie. We’ve now had Venice head Alberto Barbera and the TIFF head defending their decision to have a DC comic book movie in their respective fests:

“First of all it’s terrific. So it should play on our largest stage. But it’s a really original take on comic book movies and on the Joker character in particular. It’s not based on an existing story, it has one of the greatest actors in modern cinema, Joaquin Phoenix, in the lead, and Robert De Niro is in it as well, one of the best actors that has ever lived. But it has an interesting tone and approach to it. It’s set in the late ’70s, early ’80s and it feels like it was made then. It’s gritty in its look. It has references to Martin Scorsese’s filmmaking and it feels like a cinematic achievement on a high level. Although it’s working with very populist material, it has great ambition. That’s why it’s a Gala.”

“Just Mercy” has also been building some considerable Oscar buzz:

”It’s always hard to predict that, but I will say that a film like Just Mercy by Destin Daniel Cretton and based on the bestselling memoir by defence attorney Bryan Stevenson is an incredibly powerful drama. It’s a death penalty story about a lawyer, played by Michael B. Jordan, who takes on the case of a death-row inmate, played by Jamie Foxx, as he tries to bring justice to what he sees as an unjust conviction. It’s got incredible acting, directing and writing and that’s one I think awards bodies will be paying attention to.”

On Streep (“The Laundromat”) and Zelwegger (“Judy”):

“Also, I think The Laundromat from Steven Soderbergh is a scathing satire with a great performance from Meryl Streep. I think people will be looking at Joaquin Phoenix’s performance in Joker. It’s that good. The same can be said of Renee Zellweger as Judy Garland in Judy. She’s uncanny in that performance, too.”

← Agnès Varda's Final Movie ‘Varda by Agnès' Still Has No U.S. Distributor‘Hobbs and Shaw' Races to the Top; ‘The Lion King' and ‘Once Upon A Time…In Hollywood' Hold On Strong →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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