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‘The Fix,’ Starring Zachary Levi and Liam Neeson, Hits 19% on Rotten Tomatoes — Apparently Has 46 Producers!

“The Fix” might have set a record for the number of production credits: 46 producers are listed! Yeah, maybe that is a record. It’ll take half the end credits to name them all.

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Jessica Lange and Ed Harris' ‘Long Day's Journey Into Night' Lands September U.S. Release — 4 Years After It Wrapped

Quiver, a tiny specialty distributor that makes even Vertical and Briarcliffe look behemoth, has picked up U.S. distribution of the long-delayed film from fellow micro-indie Blue Fox.

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Lily Wachowski: “I Cannot Find A Studio That Will Do Any of My Movies”

If you remember, back in June, Lily told IndieWire, that, despite strong efforts, none of these projects have been able to get a greenlit because “fascism” is currently thriving.

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DCU’s ‘Wonder Woman’ Movie Delayed Following ‘Supergirl’ Box Office Flop

Whatever plans there were for "Wonder Woman" to go into pre-production, with a 2027 shoot in mind, have been scrapped. Gunn and Safran will be taking their time with this project.

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Box Office: ‘Practical Magic 2’ With $4.7M in Thursday Previews — $40M Opening Expected [Updated]

Warner Bros' "Practical Magic 2" is off to a solid start, pulling an estimated $4M in Thursday previews after showtimes kicked off at 2 p.m.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Spider-Man: So, What Happens Now?

August 23, 2019 Theo Fisher

The internet went into meltdown this week with Marvel fans ready to storm the gates of Sony (in some cases literally) as it was revealed they and Disney had failed to reach an agreement on the Web-slinger’s continued involvement in the MCU.

With Disney apparently asking for 50% of the box-office take for a character who’s most recent outing, July’s ‘Spider-Man: Far From Home’ raked in an impressive $1.1B worldwide, not only the biggest take for any Spider-man Movie, but also the biggest haul by a single film in Sony’s history.

Much has been said regarding whether Sony have made the right decision to go it alone (barring any new developments), given the fact that their very reason of turning to Marvel and Kevin Feige in the first place was seemingly down to their incapability to find the right formula for Spidey, with many viewing this announcement as Sony taking all they have learnt from Feige’s producing role on ‘Homecoming’ and ‘Far From Home’ along with the character’s involvement in the final two Avengers Movies, and swinging off into the distance to reap the rewards of all they now know.

But what will they do, now they have taken the character away from Marvel and…Far from home.

Well the most obvious answer comes in the form of Sony’s highest grossing Movie of last year, the critically panned but audience loving Spidey spin-off ‘Venom’, starring Tom Hardy as one of Spider-Man’s greatest enemies. Grossing $800M worldwide and with Andy Serkis now on-board to direct what many expect to be a much-improved sequel, Sony may now plant the seeds of Tom Holland’s arrival in their own Universe during Serkis’ film. And surely nothing would be a bigger flip-off to Disney than Sony using a post-credit scene, of which have become MCU folklore, to introduce their biggest property into their own line of Movies. The introduction of Holland’s Spider-Man into this world would also boost the hopes of a universe in which he battles against the entirety of the ‘Sinister Six’ (which Sony also own), a situation that (if executed properly) could deliver Sony a string of hit Movies.

Breaking away from Sony inserting Peter Parker into a franchise that already exists, it’s worth noting that both Holland, and director Jon Watts, who helmed both of the characters solo flicks in the MCU, are under contract for two further solo films. But where do they go with it? This is arguably the biggest conundrum Sony have to come up with, because without the ready-made relationships e.g. Zendaya’s ‘M.J’, Friend of Spider-Man ‘Ned’, the remaining Avengers, and the emotional weight of Tony Stark, a character which has basically dictated how Holland has played Peter Parker since 2015, Sony, and Tom Holland may now have find a way of rebooting not only the storyline of the character, but the characters mindset as a whole.

Although it must be said it’s tough to take after ‘Far From Home’s’ incredible mid-credit scene which not only teased us with J.K. Simmons returning as JJJ, but also the notion of Spider-Man (Iron Man esque) being unmasked in society.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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