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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Hobbs & Shaw' Squeezes By Horror Film ‘Scary Stories' As Melissa McCarthy’s ‘The Kitchen' Bombs [Box Office]

August 12, 2019 Theo Fisher

“Hobbs and Shaw” continues to lead the way as it clinged onto top-spot of the weekend box-office, much like its star Dwayne-Johnson clung onto that helicopter during one of the films main set pieces.

With a 51% drop and a domestic total of $25.4M and an international haul of $60.8M, which included debuts in the likes of Italy and France, the ninth film in the ‘Fast and Furious’ franchise now sits at a healthy $332M worldwide. And Universal will wait eagerly as the film still has to open in China, a market in which the films eighth entry ‘The Fate of the Furious’ raked in over $350M.

Leading the chasing pack was a newcomer in the shape of Lionsgate’s Guillermo Del Toro produced, “Scary Stories to Tell in the Dark,” which delivered around $20.8M off a relatively modest $25M production budget.

In the weekly Disney news, they still maintained their place in the top three as “The Lion King” dug its claws into the third spot, with $20M domestic and $9.3M in new territory Japan, moving it past the likes of “Frozen” and “Beauty and the Beast” in its total box-office, now standing at $1.334B.

Much like Lionsgate, paramount also saw a decent newcomer this week, in the shape of their live-action Dora the Explorer feature, “Dora: and The Lost City of Gold,” which bowed to the tone of $17M domestic and $2.5M worldwide. Whilst Sony and Quentin Tarantino’s ‘Once Upon a Time…In Hollywood’ saw a healthy $11.6M take in its third week of release, which took its domestic total past the $100M mark, making it the first film of the summer not based of pre-existing material to do so. Expect a boost in the coming week for Sony’s prize picture as it opens across the world from August 14-26.

Elsewhere, Fox’s canine led, Milo Ventimiglia starring “The Art Of Racing In The Rain” opened in over 2500 theatres to the sound of $8.1M, whilst Warner-Bros comedy, thriller, “The Kitchen,” boasting the star power of Melissa McCarthy, Tiffany Haddish, and Elizabeth Moss, would have hoped to have done miles better than just $5.5M.

This week also saw a Korean battle to round out the top ten, as ‘BTS: The Movie’ (a doc on the K-Pop group) beat out A24’s Lulu Wang’s overachieving ‘The Farewell’, and Bleecker’s Brian Banks clocked in with $2.1 M from just over 1000 locations.

Next week sees Sony’s animated “Angry Birds” sequel sling into over 3000 locations, whilst supporting arrivals of Entertainment Studios “47 metres Down: Uncaged,” UAR’s ‘“Where’d You Go Bernadette” and ‘Blinded By the Light’ are joined by Universal’s “Good Boys’”

1. Fast & Furious Presents: Hobbs & Shaw – $25.4M ($108.5M Overall)
2. Scary Stories to Tell in the Dark – $21M (Debut)
3. The Lion King – $20M ($473M)
4. Dora and the Lost City of Gold – $17M (Debut)
5. Once Upon a Time in Hollywood – $11.6M ($100M)
6. The Art of Racing in the Rain – $8.1M (Debut)
7. The Kitchen – $5.5M (Debut)
8. Spider-Man: Far From Home – $5.3M ($371M)
9. Toy Story 4 – $4.4M ($420M)
10. Bring the Soul: The Movie – $2.3M ($4.4M)

← ‘Dolemite Is My Name’ Trailer: Eddie Murphy Tackles Blaxploitation Actor In TIFF-Bound Netflix ComedySpike Lee’s List of Essential Films Every Aspiring Director Should See →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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