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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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New York Times Writer Predicts Doom and Gloom For Theatrical Cinema's Future

June 20, 2019 Jordan Ruimy

On a slow news day, the biggest eye catcher, for me at least, was Kyle Buchanan’s must-read article in The New York Times (“How Will the Movies (As We Know Them) Survive the Next 10 Years?) — As you would guess, based on that title, it’s about the future of movies (spoiler alert: there is no happy ending).

In the piece, Buchanan manages to speak with 24 heavy hitters (producers, studio execs, writers, directors, actors), the thick of the discussion revolving around the rise of streaming and what its impact on theatrical distribution would look like ten years from now.

It’s well worth a read, but I’ll narrow it down to two particular interviews which spell doom and gloom for theatrical cinema. First, there’s Kumail Nanjiani’s insistence that today’s generation of young adults just don’t really care for going to the movies:

I was at a bar with a friend who directs big movies, and while we were in line for the bathroom, he was saying that movie theaters were going to go away. He was like, “Kids don’t watch movies, they watch YouTube.” Which I thought was crazy. So he goes, “Watch this.” There was a girl in front of us in line, and he said, “Hey, excuse me, what’s your favorite movie?” And she said, “I don’t watch movies.” Just randomly, he picked someone — and she was like 25, she wasn’t a child or anything. We were like, “Well, do any of your friends watch movies?” And she said, “Not really.”

Nanjiani continues:

I don’t want to sound like an old idiot, because I try to keep up with what’s happening on YouTube, and it’s a lot of people talking to camera, very personality-driven. I grew up watching “Ghostbusters” and “Gremlins” and “Indiana Jones.” If I had grown up watching YouTube, I don’t know if I would like movies.

Ava DuVernay has fairly similar sentiments about the subject:

My nieces and nephews don’t really care about produced content in the way that we do traditionally — my niece can sit there and watch IGTV for hours, which is on her phone, on Instagram, and it’s basically little clips of nothing. That’s why, when I hear people being so rigid and so strict about certain forms and presentations, it just reminds me of that “Simpsons” cartoon, “Old Man Yells at Cloud.”

The general sense that I got from the whole thing was that we are likely headed into a complete and total abyss in which there will no longer be movies available for adults in movie theaters. Instead, what will be playing at your multiplex will be limited to blockbusters, animated movies, and genre fare. Of course, film festivals will always remain as an oasis for us cinephiles, and be more important than ever before, but most of the mid-budget adult-driven dramas that we used to love catching in theaters will likely disappear and find room on streaming services like Netflix. It sucks, I know, but that’s where it’s headed.

← Mark Hamill Reveals Luke's Involvement in ‘Star Wars: The Rise of Skywalker’ StoryJennifer Aniston & Adam Sandler Movie ‘Murder Mystery’ Slays All-Time Opening Record For Netflix With 30M+ Views →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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