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Telluride’s “Secret” A24 Movie Is Nathan Fielder’s Elizabeth Holmes Doc

The mystery surrounding Telluride’s secret A24 screening now appears to have been solved. Did anybody guess Nathan Fielder and Elisabeth Holmes?

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Zach Cregger Distances Himself From ‘Gladys’ Prequel, Not Writing or Directing, Only Producing

Originally, Cregger was reported to be directing “Gladys.” He then dropped out. He was also supposed to co-write the script with Zach Shields, and apparently now he isn’t.

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Lee Chang-dong’s ‘Possible Love’ Starts Quietly, Builds Into Something Colossal and Transcendent [Venice]

The film runs 164 minutes. What a stunner this turns out to be. “Possible Love” keeps getting stranger and deeper the longer it goes. And by the end, the film has moved somewhere almost transcendent.

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Telluride to Screen “Surprise” A24 Movie Tonight! 174-Minute Runtime, Tight Security — No Phones Allowed

Some major guessing games are currently going on regarding Telluride’s surprise movie, playing later today at 6 PM MT, which has sparked some fun theories among industry insiders and journalists.

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Kane Parsons to Direct ‘Backrooms 2’ for A24 — Set to be His Next Film

An official announcement is “imminent.” “Backrooms 2” will be Parsons’ next film — he’s not jumping into anything else. Might as well strike while the iron is still hot, I guess.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Xavier Dolan Wants to Take a Break From Directing and Concentrate on Acting

May 30, 2019 Jordan Ruimy

If you are Xavier Dolan and your last three movies have failed critically, and yes I am including the just-premiered “Matthias & Maxime,” then what should be your next move?

Dolan has been a polarizing figure for many cinephiles these last few years. After surprising the film world, in his mid-20s to boot, with well-received fare such as “Laurence Anyways,” “Mommy,” and "Tom at the Farm," the way he has concocted his movies ever since has been polarizing at best for critics and audiences. It all started with 2016's "It's Only the End of the World," a film that won the Grand Jury Prize at Cannes but not without being dubbed one of the worst movies to ever be awarded at the festival. Sure, many French audiences and critics dug it, but the overall consensus stateside was not pleasant. To make things worse, Dolan was about to embark on his first English-language film, "The Death and Life of John F. Donovan," which turned out to be a disasterpiece of the highest-order. What do you make exactly of a movie that completely wiped clean a Jessica Chastain performance from its final cut? The film never got released in France, a country that adores Dolan’s cinema, nor in his native Canada.

“Matthias & Maxime” didn’t help alleviate the bad streak. Its premiere at Cannes last week was met with decidedly mixed reactions. I gave it a D in my review, saying that as “a far more quiet and distanced work from his previous outings, it's an attempt to mature and move forward as an artist, but the movie proves he’s just not ready for that kind of statement.” 

Well now Dolan is saying, as he enters his 30s, that he wants to put directing on hold and start acting. “Actually I want to act in my 30s, that’s what I really want to do. I find it more rewarding and more liberating than directing movies,” said Dolan, in a new interview with Collider.

He later added his two cents on the bad reviews, “I get so many compliments and also so many hateful reviews,” he said. “A lot of them are understandable; a lot of them are stupid. I spent ten years trying to find myself through the criticism of others and I don’t feel that necessity anymore.”

He has yet to find his inner zen in dealing with the bad reviews in more mature and coherent ways.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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