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‘The Black Ball’ Sparks Bidding War at Cannes, With A24, Netflix and Mubi
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Doug Liman’s ‘Bitcoin’ Will Have AI-Enhanced Versions of Zuckerberg, Putin, Kim Jong Un and Eric Trump
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‘The Mandalorian’ With Soft $11-12M in Thursday Previews — Lower Than ‘Solo,’ Delivering Another Warning Sign for Star Wars
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Tarantino, Malick, Eggers, Jarmusch, Sachs, Almodovar, Dardenne, Joon-ho ...

April 24, 2019 Jordan Ruimy

I never proclaim a film festival edition to be great until the films actually screen. Common sense, right? Sadly, many love to proclaim a film fest to be having a “great year” or “terrible year” just by the lineup announcements. That’s not how it works. Lots of movies disappoint, even from great auteurs. However, Cannes 2019 looks great on-paper and any complaints of a lack of American movies should quickly be dissipated with today’s addition of Robert Eggers’ “The Lighthouse” as part of the Director’s Fortnight lineup, also known a the Quinzaines des Realisateurs.

I already listed the likes of Tarantino (cross your fingers), Malick, Eggers, Jarmusch, Sachs, Almodovar, Dardenne, and Joon-ho in the title, but let me add Dolan, Bonello, Desplechin, Dumont, Herzog, Ferrera and, not to mention, Dexter Fletcher’s Elton John biopic “Rocketman.” And those are just a few of the many familiar names that will be gracing the Croisette this year.. So, give me a break, Cannes is very much alive with relevance and about to embark on a stacked edition next month.

← Film Academy Passes Vote to Rename ‘Best Foreign Language Film' Category to ‘Best International Feature Film'; Allows Netflix Eligibility.‘Avengers: Endgame' Belongs in the MCU Time-Capsule [Review] →

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