“Hail Satan” is, first and foremost, about resistance; resistance against sectors of Christianity which have heavily deviated into their own toxic kind of militant evangelism. In fact, it’s this problematic nature of religion that kick-started the creation of The Satanic Temple. In Penny Lane’s documentary, The temple is rendered as nothing short of a troll-punking organization. It’s also an atheist-minded religion which keeps the positives that would come with religion — such as the camaraderie, organization but intersects these positives with progressive liberal values. You might ask, where does Satan fit into all of this? Oh, he’s mostly used as a direct conduit to infuriate Christian extremists, most of which actually believe The Satanic Temple abides by Lucifer’s throne. They don’t. In fact, The Satanic Temple does not worship Satan as a literal god at all. It’s all about the symbolism, baby. After all, the lord of darkness was the ultimate rebel by which the earliest biblical stories were told. These post-modernist Satanic followers mostly just want to place his statues all around red-state public spaces, including a Baphomet smack-dab in the middle of the Arkansas State Capitol. The fight to take the statue down, not to mention the idea of replacing it with a replica of the ten commandment plates, thanks to one Arkansas lawymaker, form the absurdist drama of the doc. Lane uses talking-heads footage from high-ranking TST members to forward her narrative, including the inner dilemmas such as the ethical rivalry between spokesman Lucien Greaves and Jex Blackmore, the founder of TST’s Detroit chapter who caused controversy within the organization, and ensuingly got booted out of it, after deciding to incite violence towards the temple’s enemies. Blackmore believes the separation of church and state isn’t enough, and that anarchy is needed to further promote the Staanic Temple’s goals.The rest of the movie is surprisingly infused in light and satirical manner by Lane, to further establish Satan’s rebelliously playful demeanor. If anything, Lane tries to make the case for America, in all its divisiveness, to take the moral examples presented by these lord-of-darkness-worshiping jokesters and change its mindset for the greater good. [B/B+]
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The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.