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Confirmed: Stephen Graham Joins Michael Mann’s ‘Heat 2’ as Young Neil McCauley

According to Variety, Graham is confirmed to have joined the cast of “Heat 2,” joining the already-announced Leonardo DiCaprio, Christian Bale, Adam Driver, Jason Clarke and Odessa Young.

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‘Brand New Day’ Has Sold 75 Million Tickets. ‘Titanic’ Sold 137 Million, and ‘The Force Awakens’ 108 Million

Due to inflation, raw box-office dollars no longer tell us nearly as much about how many people actually saw a movie. ‘Brand New Day’ might soon be the all-time box office champ, but an asterix is needed.

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Alex Gibney’s ‘Musk’ Teaser Arrives, But the 4-Hour Elon Musk Doc Offers Few Surprises [Venice]

The problem with “Musk” isn’t that it’s boring. It’s that it’s four hours long and, for much of that runtime, has surprisingly little new to say about Elon Musk.

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Steven Knight Says the Next James Bond Has Been Cast: It’s “A Little Bit Easier” to Write Script With the Actor in Mind

So, whatever rumors you’d heard of Bond auditions still happening are not true. Steven Knight, the screenwriter of the next James Bond film, is saying that the new 007 has already been cast.

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Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Cannes Classics Offers A Few Curiosities

April 29, 2019 Jordan Ruimy

Cannes Classics selections are not on top of my must-see list whenever I attend the Cannes Film Festival — I’ll attend a screening here and there, such as I did last year with Christopher Nolan presenting his own restored 70mm version of “2001: A Space Odyssey.” Almost everything that is shown in this Cannes sidebar is restored in 4K, that is a major sell for many people, I’m not necessarily one of them. So which of this year’s titles might I report back on?

A 4K restored version of Dennis Hopper‘s “Easy Rider” could be in the cards. Hopper’s film will be shown on the 50th anniversary of its Cannes debut. Peter Fonda will attend the screening. I was never big on “Easy Rider,” always thought it felt like a product of its time for its time, but I’m willing to give it another shot, especially if it means it’ll be screened in 4k.

A 4K remaster of Stanley Kubrick‘s “The Shining” will be shown as a midnight screening with special introduction from Alfonso Cuaron. Sold! The mastering was done at Warner Bros. Motion Picture Imaging. The color grading was done by Janet Wilson with supervision from Stanley Kubrick’s former personal assistant Leon Vitali.  No, Cannes has never been known for its midnight crowds, but I have the sneaking suspicion this screening could play very well.

Three restored Luis Bunuel films will be shown this year: His 1950 masterpiece Los Olvidados, a glorious teenager movie that also features one of the first examples of violent adolescent rebellion on-screen. The other Bunuel’s being shown are the classics, Nazarín and L’Âge d’or, the latter of which is high on my priority list as it is a full-fledged 4k restoration.

A restored version of Lina Wertmüller‘s Seven Beauties (’75) will also screen. I named the film one of the 10 greatest movies ever directed by women in my, now, much-read Awards Daily article. I’m not overhyping it either. It’s really that damn good. A mix of the ugly with the beautiful , the heart-rending with the grotesque. A 90-year-old Wertmuller will be there to introduce the film with star Giancarlo Giannini in attendance. Wowza.

Then there’s a 4K restoration of Oliver Stone‘s maddening “The Doors.” I haven’t seen the film since, oh, the mid-to-late ‘90s. All I can remember is there being a miscast Meg Ryan, a well-cast Val Kilmer, Stone’s usual obsessions with excess and the fact that the filmmaker concentrated more on the Morrison’s wild hijinks rather than the incredibly poetic music he made with the band between 1967-1971. I will be in attendance for that screening, but am willing to walk out of it.

Vittorio De Sica‘s “Miracle in Milan,” Milos Forman‘s “Loves of a Blonde” and John Huston & Oswald Morris‘s “Moulin Rouge” (’52) will also be screened.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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