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Paramount to Exit California Amid Warner Bros. Antitrust Fight

For months, people close to CEO David Ellison had hinted that he would leave if state AGs didn't drop their antitrust suit against the $111 billion Warner Bros. Discovery merger.

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Matthew Lillard Says He's “Ashamed" and “Embarrassed” He Returned for ‘Scream 7' After Melissa Barrera's Firing

Lillard says he was part of that silence and now regrets doing “Scream 7,” not because it turned out to be terrible, but because of how Barrera was treated.

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France Picks Andrey Zvyagintsev’s Russian-Language ‘Minotaur’ as Its 2027 Oscar Submission

France has selected Andrey Zvyagintsev’s “Minotaur” to represent the country in the international feature film race at the Oscars, despite the filmmaker and cast being Russian.

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Gregg Araki Starts Shooting ‘The Decline of F*cking Western Civilization’ with Ashton Kutcher and Alison Brie

Araki wrote the screenplay, and will direct “The Decline of F*cking Western Civilization,” a dark comedy starring Ashton Kutcher, Alison Brie, and Jesse Williams. The film started shooting today in Los Angeles.

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‘La Bola Negra’ Storms TIFF as Queer Epic Eyes Netflix’s First Best Picture Oscar

Last night, Los Javis' "La Bola Negra" held a triumphant screening at TIFF's Princess of Wales Theatre, and the standing ovation reportedly lasted through the entire credits.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Doctor Sleep' Director Teases 3-Hour Director's Cut We Didn't Even Need in the First Place

December 20, 2019 Jordan Ruimy

The intimidating challenge for a sequel was given to writer-director Mike Flanagan (“Hush”), who was unafraid to open “Doctor Sleep” with flashbacks of Stanley Kubrick’s “The Shining” and little Danny Torrance spinning his big wheel tricycle all around the hallways of the infamous Overlook Hotel. Referencing specific sets and shots, the film had Flanagan taking his time (the film clocked in at an overwrought 152 minutes) to set up all the action and characters he needed to make his opus. The result, however, was disjointed and lacking in momentum. It just fell flat.

And so, did we really need a 3-hour director’s cut, which Flanagan is now hinting at a possible Blu-Ray release of? Of course not. The film’s 152-minute runtime was already more than a half an hour too long. The whole film felt laborious, directionless and had none of the intrigue that Kubrick had brought to his 1980 horror classic.

The over-reliance on borrowed inspiration was a problem for the film. Ditto Flanagan deciding to mimic Kubrick’s style—even reshooting scenes from the original film with lookalike actors—in misguided continuous attempts to remind his audience that what they are watching is a sequel to the “The Shining.”

As I wrote in my review on 11.07.19:

In the end, the shallow “Doctor Sleep” ends up believing it is deeper than it actually is. A more persistently firm creative vision would have helped it enormously, but the inconsistent tone renders it devoid of shine.

Does this sound like the type of movie that needed a lengthier cut?

And yet, in a new statement (via Collider), Flanagan is praising Warner Bros. for allowing him to make this new 3-hour cut of the film:

“They really let us do this right – it’s a finished, complete, fully polished new cut of the movie. Nothing in it is temp,” said Flanagan.

He added, “We shot a LOT of material for this movie, and I always knew it wouldn’t all fit. I was reticent to call this a ‘Director’s Cut’ at first, as I absolutely love and stand by the cut I made for our theatrical release. But there was stuff I actively decided to remove from that cut that I missed, and that I would think about even weeks after the fact.”

The“Doctor Sleep” Director’s Cut will accompany the regular release of the film on digital in January and will later be available on 4K & Blu-ray in February.

← ‘1917' is More Virtual-Reality Video Game and Less Cinema [Review]‘Downhill’: Will Ferrell & Julia Louis-Dreyfus Escape an Avalanche In Remake Of ‘Force Majeure’ →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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