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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: ‘Frozen II' Continues Its Massive Success; ‘Knives Out' Scores Big With $41 Million Debut

December 1, 2019 Theo Fisher

The box office crown belongs to Disney again this week as “Frozen 2” fought off a challenge from Rian Johnson’s “Knives Out” to remain in the top spot.

Disney’s “Frozen 2” yet again found itself atop this week’s box-office. The animated sequel delivered another $123.7M over the five day Thanksgiving period, pushing its domestic total to a whopping $287M. Whilst internationally, and arguably more impressively (thanks to another $163.8M) the films total has reached $451M, combining overall for a huge $738.6M after less than two weeks in cinemas.

In second place this week is another triumph for original cinema. Rian Johnson and Lionsgate’s super-sharp ‘whodunnit’ “Knives Out” opened to a very impressive $41.7M over the period, and expect the film to keep making money as its audience scores continue to grow. Internationally the film took home $28.3M, so it’s $70M first weekend is gear reruns for a film in which most of its budget was probably to pay its all-star cast, including Jamie Lee Curtis, Chris Evans, Don Johnson, and Ana De Armas.

In third this week and really grinding its gears for all it’s worth is Fox’s “Ford V Ferrari”. Over performing ever since its debut, this week the film gathered another $19 domestically, no doubt boosted by the holiday, lifting its domestic tally to $81M. Overseas the film raced to just over $10M putting its global standing at $143M. Expect it to zoom past the $150M barrier next week.

In fourth is Sony’s own Oscar contender, Marielle Heller’s “A Beautiful Day In the Neighbourhood”. Taking $17.3M this week, the Mr. Rogers biopic, starring Tom Hanks as the famous children’s television presenter has now taken $34.3M in the US, extremely respectable given the stiff competition it’s faced in its two weeks of release.

Rounding out the top five is newcomer “Queen and Slim”. Starring Daniel Kaluuya and directed by Melina Matsoukas, Universal’s hard-hitting drama brought in an estimated $15.8M over the five day period, another solid opening and haul in this week of many major and minor accomplishments for studios.

Next week sees no major releases bar STX’s animated children’s flick “Playmobil”, as we gear up for the near Christmas releases of Sony’s “Jumanji: The Next Level” and Disney’s “Star Wars: The Rise of Skywalker”.

1. Frozen II – $123.7M ($288M Overall)
2. Knives Out – $41.7M (Debut)
3. Ford v Ferrari – $19M ($81M)
4. A Beautiful Day in the Neighborhood – $17.2M ($34M)
5. Queen & Slim – $15.8M (Debut)
6. 21 Bridges – $8M ($20M)
7. Playing with FIre – $6M ($39M)
8. Midway – $5.8M ($50M)
9. Joker – $3M ($330.6M)
10. Last Christmas – $2.8M ($32M)

← ‘Curb Your Enthusiasm' Season 10 Set to Premiere January 2020 on HBO ‘Portrait of A Lady on Fire': Celine Sciamma's Cannes Triumph Dismantles the Male Gaze [Review] →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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