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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Terminator: Dark Fate' Bombs at Box Office...

November 1, 2019 Jordan Ruimy

“Terminator: Dark Fate” which I panned earlier in the week, cost more than $185 million to make and, reportedly, needs $460M-plus to break even. Here’s where the trouble comes in, it’s only expected to gross $27 million domestically this weekend.

If you remember, the R-rated “Terminator 3: Rise of the Machines” opened with an impressive ith $44M.

This spells trouble for not just the movie, but the franchise as a whole.

Earlier in the month, box office projections had the film opening at above $40 million, but that ain’t happening anymore. Why? Well, the reviews are mediocre and audiences are rejecting its politically correct repackaging.

“Fans and action sci-fi moviegoers who have seen the film are up in arms about major changes to the film series’ plot lines. It’s also worth observing that fans and moviegoers are all for strong female characters — when these characters are essential and interesting to the story. Like other recent remakes, spin-offs, and re-imaginings, casual moviegoers are confused and disinterested in taking a classic film and simply reshooting it with women in the lead roles, which is the perception of some related to Dark Fate, and the reality to still others who have seen early screenings.” [Via Relish Mix]

There’s also the issues of back-and-forth fighting in the editing room between producer James Cameron and director Tim Miller. Just a couple of days ago, James Cameron admitted in an interview with CinemaBlend that he thought Miller’s first cut was “pretty rough,” so he decided to step in and take over the editing, which, obviously, didn’t sit well with Miller. Battles ensued, “I would say many,” said Cameron. “And the blood is still being scrubbed off the walls from those creative battles. This is a film that was forged in fire.” He described how Miller tried to make the film his own, and perhaps deviate from what the franchise is known for. “Tim wanted to make it his movie. And I’m like, ‘Yeah, but I kind of know a little about this world.’”

Deadline‘s Anthony D’Alessandro: “It’s not a good weekend for franchises, specifically old dusty ones as the sixth Terminator movie, Terminator: Dark Fate, is seeing an awful future at the weekend domestic box office with $27.1M, a terrible result for a planned Paramount/Skydance Media/Fox tentpole that reportedly cost $185M (some even say it was $196M).”

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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