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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer! [Updated]

Netflix has finally decided to stop teasing us with cryptic teasers and has given us an actual trailer for “The Further Mis-Adventures of Cliff Booth,” David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: ‘Terminator: Dark Fate’ Is Weekend Box Office Champ, But Underperforms with $29 Million Opening

November 3, 2019 Theo Fisher

“Terminator: Dark Fate” crumbled at this week’s box office as yet again Warner Bros juggernaut “Joker” keeps on rolling.

The latest installment of Paramount’s “Terminator” franchise, “Dark Fate”, directed by “Deadpool”’s Tim Miller fell flat on its face in its opening weekend domestically, collecting a fleeting $29M. Billed as the ‘true’ sequel to “Judgement Day” following what is viewed by many as a plethora of failed sequels, “Dark Fate” has widely been hailed as the best since “T2”, though evidently not enough to stop it from only just beating the dismal opening of the last installment, “Terminator: Genisys”

, which garnered just over $27M on its own domestic opening. International figures also don’t make pretty reading for the studio. $94M from its first week see the film at $122M worldwide. Time will tell if it will even surpass the $440M “Genisys” made in 2015, though it’s likely it will have to rely on huge international numbers to do so.

Coming in second this week, but at the other end of the spectrum in terms of success is Warner Bros “Joker”. Having cruised through every R-rated record in its way, the Todd Phillips directed and Joaquin Phoenix starring DC comic adaptation took another healthy $39M in all markets this weekend, including $13M domestically. The just over $30M production now has a worldwide haul of $934M, meaning it looks set to break the fabled $1B barrier, a feat even more impressive when you factor in the film has done so without the second biggest market in China. Cue studio heads up and down the land racing to green-light R-rated dramas.

The battle for third and fourth this week involved Disney’s underperforming “Maleficent: Mistress of Evil” and a fresh-faced newbie in the form of Focus Features Oscar hopeful “Harriet”. And although Disney’s latest sequel edged the Cynthia Erivo starring true tale of Harriet Tubman, $12.175M to $12M, Focus Features will be delighted by the first-week haul for Kasi Lemmons’ latest feature.

Rounding off the top five is the star-studded animated “The Addams Family”. Now entering its third week, the film appeared to get a slight boost from Halloween as it added a further $29M internationally, pushing its overseas tally to $44M whilst its overall global tally stands just north of $125M

This week’s most notable release comes from the studio behind “Joker”, Warner Bros. Mike Flanagan’s sequel to Stanley Kubrick’s horror classic “The Shining”, “Doctor Sleep” steered up a solid opening in its nine territories. Its $5.6M ($2M of which came from the UK) is a solid start for a film that sits just over the two hours thirty mark.

In fact, “Doctor Sleep” is also next week’s main attraction as it looks to translate its overseas success into domestic prowess upon its November 8th release.

← The Art of the Sequel‘Arctic Dogs' Bombs, Worst Opening Of All-Time In 2,800+ Theaters →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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